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Panasonic Lumix GH6 Evaluation | Images Weblog

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March 17, 2022
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Introduction

The Panasonic Lumix GH6 is a flagship Micro 4 Thirds sensor mirrorless digicam geared toward each videographers and stills photographers.

Successor to the favored GH5 and GH5 II cameras, this 2022 mannequin now options as much as 5.7K 60p 10-bit inner video with limitless recording and Apple ProRes 422 HQ assist, a model new 25.2 megapixel sensor with no low-pass filter, and the newest high-speed and high-performance Venus Engine.

Different key new enhancements embrace an up to date contrast-detect autofocus system with a brand new AF algorithm and 315 focus factors, expanded ISO vary of 50-25600, twin CFexpress card (Kind B) and UHS-II V90 SD reminiscence card slots, improved Twin I.S. (Picture Stabiliser) now value as much as 7.5-stops slower shutter velocity, and 75fps burst capturing mode at full 25 megapixel decision (AF-S mode solely).

The splash- and dust-proof GH6 additionally provides built-in Wi-Fi and Bluetooth connectivity, 1/8000th prime shutter velocity, 1/250th second flash sync velocity, 1,728-zone metering system, a 3,680K-dot OLED digital viewfinder with 120fps body price, a 1.84M pixel 3-inch swivelling and tilting LCD display, touchscreen management system with touch-based features like Contact AF/AE and Contact Shutter, a totally silent digital shutter, assist for USB-C charging and 14 (AFS) / 8 (AFC) fps burst capturing.

The Panasonic Lumix GH6 is made in China. It is accessible now in black solely, priced at £1999 / $2199 physique solely, £2199 with the usual 12-60mm f3.5-5.6 lens, and £2599 / $2799 with the Leica 12-60mm f/2.8-4.0 lens.

Ease of Use




Panasonic Lumix GH6

Measuring 138.4 x 100.3 x 99.6mm / 5.45 x 3.95 x 3.92in. and weighing 739g / 1.63lb physique solely, the Panasonic Lumix GH6 is considerably bigger and heavier than the GH5 II mannequin that it successfully succeeds, which measures 138.5 x 98.1 x 87.4mm and weighs 647g.

That is largely because of the heat-sink and forced-cooling fan mechanism that Panasonic have built-in into the design of the GH6, which helps to offer impressively limitless recording instances in each accessible video mode that the digicam provides.

The draw back is that the digicam is noticeably deeper than the GH5/II by 12mm, one thing that’s significantly evident within the rear LCD display space which protrudes fairly a great distance out from the again of the digicam.

The GH6’s physique is made out of magnesium alloy, with a full die-cast entrance and rear body. Each joint, dial, and button is sealed to make sure that the GH6 is splash/dust-proof and likewise freeze-proof right down to -10 levels Celsius.

The digicam has a shutter launch lifetime of 200,000 pictures. As with the earlier GH5 and GH5 II fashions, this is without doubt one of the most well-constructed Panasonic cameras that we have ever reviewed, and will stand as much as some severe abuse.

The GH6 ships both physique solely, with the Panasonic 12-60mm f3.5-5.6 lens, or with the superb Leica 12-60mm f/2.8-4.0 lens that we reviewed it with.

Regardless of the quick most apertures on provide, the Leica 12-60mm optic remains to be comparatively small and light-weight, and delivers nice picture high quality while being quick to focus and fully silent, excellent for video use.

Whereas non-obligatory battery grips had been accessible for the earlier GH5 and GH5 Mark II fashions, Panasonic have taken the relatively unusual resolution to not make one for the brand new GH6. So there isn’t any method to home an additional battery to increase the general battery life or make the digicam larger for higher dealing with with longer, heavier lenses.




Panasonic Lumix GH6

Panasonic have as soon as once more considerably upgraded the picture stabilisation system on the GH6. The Twin I.S. system incorporates a brand new tremendous high-precision gyro sensor with a brand new algorithm to mix the 2-axis stabilisation from the lens (if it has OIS built-in) and 5-axis stabilisation from the digicam physique, leading to compensation for as much as 7.5-stops slower shutter velocity, which impressively is 1 cease higher than the already wonderful GH5 II.

In contrast to a traditional DSLR digicam, or certainly most trendy rival mirrorless cameras, which generally use a section detection auto-focus system, the Panasonic Lumix GH6 continues to make use of a distinction detection based mostly AF system, just like that extra generally utilized by compact cameras.

The Panasonic GH6 continues to make use of the identical DFD contrast-based auto-focusing system that each one earlier GH-series cameras have employed – anybody anticipating Panasonic to implement phase-detection on this new mannequin can be sorely disillusioned.

It does provide extra AF areas although, elevated from 225 on the earlier GH5 sequence cameras to 315 AF factors on the GH6. Additionally Panasonic have up to date their AF algorithms to supply quicker efficiency and fewer seen pulsing than earlier than.

There are a variety of AF modes on provide, together with Monitoring, Full Space, Zone (Horz/Vert), Zone , 1-Space+, 1-Space and Pinpoint, with the choice to allow the Human Detection, Face/Eye Detection and Animal+Human Recognition auto-focusing algorithms for each AF mode besides Pinpoint.

In observe, there have been few events when the GH6 did not lock onto the topic, particularly when utilizing the centre AF level, leading to a usually responsive and importantly dependable AF system for many topics.

Having stated that, it did wrestle slightly extra typically than desired with erratic, fast-moving topics similar to sports activities and wildlife, and it positively nonetheless lags behind one of the best phase-detect AF methods from different mirrorless digicam producers.

On the entrance of the Panasonic Lumix GH6 is a small focus-assist and self-timer indicator lamp, lens launch button, two customisable unmarked Perform buttons, metallic lens mount and a flash sync socket.




Panasonic Lumix GH6

Model new to the GH6 is a second, extra one-touch film report button completed in a vibrant purple which is ideal for utilizing with the digicam in portrait orientation.

A direct consequence of the GH6’s measurement improve is the sculpted, rubberised hand-grip that is even deeper and subsequently nicer to make use of than the one on the GH5 cameras. It is simply large enough to suit three, if not 4, fingers round it.

By default the Fn4 button (the upper one on the entrance) enlarges the Dwell Show throughout video recording while the decrease Fn3 button cleverly toggles between displaying a stay preview of the results of the present aperture (successfully a digital model of Depth of Discipline Preview) and the present shutter velocity.

The latter proves particularly helpful for learners, offering a visual means of checking how totally different shutter speeds will have an effect on the seize of various topics – working water is an efficient instance.

Nearly all of the GH6’s exterior is matt black plastic, with the handgrip, entrance panel and left-hand compartments completed in a extra tactile rubberised coating.

Discovered on prime of the Panasonic GH6 are the burst mode/bracketing/self-timer/time-lapse dial on the left, exterior flash hotshoe, stereo microphones, lockable capturing mode dial surrounded by the on/off swap, shutter launch button, entrance and rear management dials, white steadiness, ISO and publicity compensation buttons, audio data button and a big one-touch film report button that is vibrant purple. There’s additionally a tiny LED to point if wi-fi is on or off or if USB charging is in operation.

The row of white steadiness, ISO and publicity compensation buttons make it extraordinarily simple to entry the digicam’s key publicity controls, whereas the twin management dials make it easy to make use of the totally Guide capturing mode.

The native ISO vary of each the GH5 II and the GH6 is 100-25,600, however on the GH6 it may be prolonged right down to ISO 50 if required for each stills and video. Notice that for video, the utmost degree is 12800 ISO on each cameras.




Panasonic Lumix GH6

The GH6 has each a standard mechanical shutter and a silent digital shutter, which in addition to not spooking your topic ensures that it is fully sharp by avoiding pixel shifting. The Delay Shutter possibility helps to take away the impact of hand-shake by releasing the shutter after a specified time (8, 4, 2 or 1 seconds).

The beginning-up time from turning the Lumix GH6 on to being able to take a photograph is impressively fast at lower than a second. It takes about 1/2 second to retailer a JPEG picture, permitting you to maintain capturing as they’re being recorded onto the reminiscence card – there isn’t a perceptible LCD blackout between every picture. Storing a single RAW picture takes round 1 second and does not lock up the digicam in any means – you should use the menu system or shoot one other picture whereas the primary file is being written to reminiscence.

The Panasonic Lumix GH6 has a great steady capturing mode which lets you take 14 frames per second utilizing the mechanical shutter with the main target and publicity locked on the first body or a a lot slower 8fps with full-time AF monitoring.

The brand new mannequin can solely shoot repeatedly for as much as 95 JPEGs or 65 RAW information, although, in comparison with 999 JPEG or 108 RAW information for the GH5 II.

The GH6 does additionally provide a headline grabbing 75fps mode at full 25 megapixel decision for as much as 200 JPEG or Uncooked photographs, however that is sadly restricted to AF-S mode solely utilizing the digital shutter, so it is not suited to sports activities and wildlife pictures.

The lockable capturing mode dial on prime of the digicam permits you to select from the totally different publicity modes. The same old collection of Program, Aperture Precedence, Shutter Precedence, and Guide can be found for the extra skilled photographers.

Moreover there are 4 customized modes, marked C1, C2, C3 and C4, which let you configure your favorite settings and shortly entry them, Clever Auto for much less skilled customers, and the Artistic Film mode which supplies entry to the entire digicam’s in depth vary of video choices.

The Panasonic Lumix GH6’s vary of 8 totally different filter results, which had been denoted by an artist’s palette on the GH5’s capturing mode dial, are actually solely accessible by way of the principle menu system (successfully changed by the C4 mode). There are additionally 15 totally different customisable Picture Kinds which nonetheless enable full management of the digicam’s settings.




Panasonic Lumix GH6

The purple film report buttons on the highest and entrance of the digicam mean you can begin recording a film with a single push of a button after which cease recording by urgent the identical button, no matter which capturing mode is at the moment chosen. This can be a lot extra intuitive than having to pick out the film mode then press the shutter button, though you possibly can nonetheless begin/cease film recording by way of the GH6’s shutter button if you want.

The Artistic Film capturing mode, accessed by way of the mode dial on prime of the GH6, lets you set the shutter velocity, aperture or each settings manually throughout recording (a Program possibility can also be accessible). Altering the shutter velocity is particularly appropriate for capturing fast-moving topics, while the power to regulate the aperture is handy when there are a number of topics within the body positioned at totally different distances.

The Panasonic Lumix GH6 has a plethora of film choices, making it one in every of, if not the, essentially the most full-featured interchangeable lens cameras available on the market by way of video. It additionally represents a giant step ahead in the case of video specs and efficiency, even in comparison with the already very succesful GH5 II mannequin.

The brand new Panasonic GH6 mannequin ups the ante by offering 5.7K 30p inner video recording accessible in ProRes 422 HQ and ProRes 422 for the primary time within the LUMIX sequence.

It additionally provides 4:2:2 10-bit Cinema 4K 60p inner recording in addition to simultaneous output in 4:2:2 10-bit Cinema 4K 60p over HDMI.

Different enhancements embrace 4:2:0 10-bit 4K 120p (equal to 5x gradual movement) and 4:2:2 10bit FHD 240p HFR (Excessive Body Charge) choices, plus 5.7K 4:2:0 10-bit 60p/50p and 5.8K 30p/25p/24p 4:2:0 10-bit anamorphic 4:3 modes recorded utilising the complete space of the sensor.

The LUMIX GH6 additionally accommodates V-Log/V-Gamut for the primary time within the LUMIX G Collection Micro 4 Thirds digicam line-up which supplies 12+ stops of vast dynamic vary, and there is a model new Dynamic Vary Increase mode which expands it to 13+ stops.

The GH6 makes use of the complete space of the sensor to report then downsamples it in-camera, which signifies that your framing will not be cropped when composing.




Panasonic Lumix GH6

The GH6 is without doubt one of the few cameras that is not geographically restricted, as you possibly can select from each NTSC and PAL settings, so that you get the complete vary of body charges no matter the place you purchased the digicam.

The Focus Transition software lets you create three focus factors, between which the GH6 robotically shifts the main target at a continuing velocity. There is a alternative of 5 totally different speeds, and you may select whether or not to start out the transition instantly when recording begins or add a 5 or 10 second delay.

Importantly the GH6 provides limitless video recording time in all modes by using a forced-cooling fan mechanism to fight over-heating.

Dolby-quality stereo sound is recorded throughout video seize by way of the inner mics on prime of the digicam, which is a giant enchancment on the relatively muffled noises recorded by most digital cameras, helped by the wind lower operate which blocks out many of the noise from background wind.

It’s also possible to add the non-obligatory DMW-XLR1 XLR microphone adapter which attaches by way of the hotshoe and provides two XLR audio inputs with bodily switches and dials for altering the degrees, acquire, and low lower filter of every enter individually.

Dwell streaming is probably the most important function that has been faraway from the brand new GH6. The GH5 M2 is able to wi-fi stay streaming in 1080/60p at 16Mbps by way of the LUMIX Sync smartphone app, or by connecting on to a Wi-Fi router, however the GH6 relatively surprisingly does not assist this in any respect. Possibly will probably be added in a future firmware replace.

On the rear of the Lumix GH6 is strictly the identical 3 inch LCD display with 100% scene protection and 1,840K dot decision as discovered on the GH5 II. The rotating, free-angle monitor, which is hinged on the left facet of the digicam (trying from the rear), may be flipped out and twisted by way of 270 levels.

You need to use the display as a waist-level viewfinder, holding the digicam overhead, and even for turning the GH6 on your self for arm-length self-portraits. There’s additionally the additional benefit of folding the display away towards the digicam physique to guard it when saved in a digicam bag, stopping it from turning into marked or scratched.




Panasonic Lumix GH6

The 1,840K pixel display provides a wider color gamut and brightness that has been improved by 150% in comparison with the unique GH5.

The Auto Energy LCD operate robotically detects the present lighting situations and boosts the LCD backlighting by as much as 40% when capturing outdoor in vibrant sunshine, serving to to maintain the display seen. The useful degree gauge signifies the 2 instructions of horizontal lean and entrance/rear tilt.

The Panasonic Lumix GH6 inherits the GH5’s intelligent touchscreen interface. Panasonic have properly restricted the quantity of issues that you are able to do by interacting with the display, and certainly you possibly can nonetheless function all the things on the digicam with out having to push and prod the LCD in any respect.

You’d be lacking out on numerous genuinely helpful performance, although, which actually improves the general capturing expertise. A intelligent function known as Touchpad AF lets you transfer the main target level space along with your finger on the LCD whilst you’re trying by way of the EVF.

Essentially the most instantly noticeable operate is the power to make use of the 1-area AF mode to focus in your essential topic just by touching it on the LCD. If the topic then strikes, the Panasonic Lumix GH6 cleverly follows it across the display utilizing the the AF monitoring operate. If the topic exits the body solely, merely recompose and faucet it once more to start out focusing. Spectacular stuff that makes specializing in off-center topics quick and intuitive.

It’s a little too simple to by chance press the display and set the main target level to the incorrect space for the present topic, however a easy faucet in the midst of the LCD will middle the AF level (or you possibly can flip this function off altogether). The scale of the AF level itself may also be modified by way of an interactive onscreen slider.

If you happen to want to manually focus relatively than use the quick AF system, you possibly can enlarge any a part of the topic by 1x, 5x or 10x by merely dragging the picture across the display. The ultimate touchscreen means from a picture composition perspective is the power to launch the shutter, with a small icon on the suitable hand display enabling this performance, after which a single on-screen faucet all that is required to take the image.

The entire menu choices may be modified by way of the touchscreen interface, together with the Major menu system. It’s also possible to management picture playback by touching the display, with the power to faucet a thumbnail to see the full-size model, scroll by way of your photographs by dragging them back and forth, and magnifying them as much as 16x.




Panasonic Lumix GH6

The Panasonic GH6 has precisely the identical digital viewfinder because the GH5 II. The OLED unit has a big 1.52x (0.76x on 35mm equiv.) magnification, 100% discipline of view, 1000:1 distinction ratio and three,680K-dot decision, leading to one of many higher EVFs that we have used. The EVF (and likewise the principle LCD display) function at a local price of as much as 120fps, twice as quick as the unique GH5, which helps make it flicker-free.

The Panasonic Lumix GH6 has a time lapse operate in which you’ll be able to set the time interval and the variety of photographs to take, plus a multi-exposure possibility that permits you to mix as much as 4 exposures in a single body, whereas the Cease Movement Animation mode lets you create distinctive cease movement movies. Sadly the 6K Picture modes, Publish Focus and Focus Stacking choices have all disappeared from the brand new GH6.

The Wi-Fi operate (802.11ac) permits you to use your smartphone to alter the digicam settings (focus setting, publicity compensation, ISO, WB and Picture Kinds) and even hearth the shutter button remotely (together with interval video recordings), whereas the auto switch operate robotically backs up your photographs onto a pill. It’s also possible to use GPS information out of your smartphone to report the capturing location onto your photographs. The Bluetooth possibility establishes a low-energy, everlasting connection between the digicam and a wise system for simpler switch of photographs.

On the rear of the Panasonic Lumix GH6, from left to proper, is a Lock Lever for locking the present controls/settings, a Playback button, Af space button which is surrounded by the AF Kind swap, separate AF On button, the rear management dial, which is used for, amongst different issues, altering the aperture and shutter velocity by turning from left to proper and again once more, and a thumb-controlled joystick. That is significantly better positioned than on the GH5 and lets you shortly and simply choose the AF level with out taking your eyes off the topic.

Beneath are the Fast Menu, Again/Delete and Show buttons. In capturing mode, the Show button alternates between turning the show off, the principle digicam settings as icons, no settings in any respect, and an Information Show which exhibits the present key settings in a transparent graphical format. You’ll be able to moreover press the Q.Menu button after which use the navigation pad to maneuver between the onscreen choices.

The Q.Menu button supplies fast entry to many of the principal controls, together with ISO velocity, picture measurement, picture high quality and white steadiness (there are 12 settings in complete, relying upon the capturing mode chosen). You’ll be able to nonetheless entry all of those choices from the principle menu system too.




Panasonic Lumix GH6

The Panasonic Lumix GH6 has a standard 4-way navigation pad system with a round scroll wheel and Menu/Set button within the centre. In contrast to different G-series cameras, the 4 instructions on the d-pad do not have a selected operate, aside from to maneuver by way of and choose choices, playback photographs and many others. The round scroll wheel can even accomplish most of the similar issues.

The primary menu system on the GH6 may be very clear and straight-forward to make use of and is accessed by urgent the Menu/Set button in the midst of the navigation pad. There are as much as 6 essential menus represented by a column of icons on the left of the display, relying on which capturing mode you are at the moment utilizing, which then present as much as 7 sub-menus every displaying 8 choices onscreen directly.

On the underside of the Panasonic Lumix GH6 is a metallic tripod socket, importantly in-line with the center of the lens barrel, and the battery compartment housing the identical DMW-BLK22 battery as discovered within the GH5 II. Battery life is a most of 380 nonetheless photographs / 100 minutes of video when utilizing an SD reminiscence card or 350 photographs / 90 minutes of video when utilizing a CFexpress card.

On the suitable facet are the Distant port to be used with the non-obligatory distant shutter launch and the twin CFexpress card (Kind B) and UHS-II V90 SD reminiscence card slots.

On the left is the Mic socket to be used with a 3.5mm exterior microphone, and three connection ports, together with a port for exterior headphones (once more 3.5mm in measurement), USB-C port and a really welcome full-sized HDMI port for connecting the GH6 to a HD tv or monitor.

Picture High quality

The entire pattern photographs on this overview had been taken utilizing the 25M Positive JPEG picture measurement possibility, which produces a mean picture measurement of round 12Mb.

The GH6 is the primary Panasonic Micro 4 Thirds digicam to push previous the 20 megapixel barrier, utilising a model new 25.2-megapixel Dwell MOS Sensor with no low-pass filter.

The Panasonic Lumix GH6 produced photographs of excellent high quality throughout the overview interval. It produces noise-free photographs at ISO 100 to 1600, with restricted noise beginning to seem at ISO 3200. ISO 6400 and 12800 exhibit fairly seen noise and lack of tremendous element, whereas the quickest setting of 25600 appears significantly better on paper than in actuality.

The assorted Picture Kinds and Filters mean you can shortly and simply customise the look of the digicam’s JPEG and Uncooked photographs earlier than you are taking them. The night time {photograph} was wonderful, with the utmost shutter velocity of 60 seconds and Bulb mode of as much as half-hour permitting you to seize loads of mild.

The Excessive Decision Mode efficiently creates a lot bigger 50 or 100 megapixel photographs and may be employed when the digicam is mounted on a tripod and likewise hand-held. It is nonetheless finest reserved to be used with non-moving topics.

Noise

There are 10 totally different ISO settings accessible on the Panasonic Lumix GH6 which you’ll be able to choose at any time if the digicam is in one of many artistic capturing modes. Listed below are some 100% crops which present the noise ranges for every ISO setting for each JPEG and RAW codecs.

JPEG

RAW

ISO 50 (100% Crop)

ISO 50 (100% Crop)
iso100.jpg iso100raw.jpg

ISO 100 (100% Crop)

ISO 100 (100% Crop)
iso100.jpg iso100raw.jpg

ISO 200 (100% Crop)

ISO 200 (100% Crop)
iso200.jpg iso200raw.jpg

ISO 400 (100% Crop)

ISO 400 (100% Crop)
iso400.jpg iso400raw.jpg

ISO 800 (100% Crop)

ISO 800 (100% Crop)
iso800.jpg iso800raw.jpg

ISO 1600 (100% Crop)

ISO 1600 (100% Crop)
iso1600.jpg iso1600raw.jpg

ISO 3200 (100% Crop)

ISO 3200 (100% Crop)
iso3200.jpg iso3200raw.jpg

ISO 6400 (100% Crop)

ISO 6400 (100% Crop)
iso6400.jpg iso6400raw.jpg

ISO 12800 (100% Crop)

ISO 12800 (100% Crop)
iso6400.jpg iso6400raw.jpg

ISO 25600 (100% Crop)

ISO 25600 (100% Crop)
iso6400.jpg iso6400raw.jpg

File High quality

The Panasonic Lumix GH6 has 2 totally different JPEG picture high quality settings accessible, with Positive being the very best high quality possibility. Listed below are some 100% crops which present the standard of the varied choices, with the file measurement proven in brackets.

Positive (8.2Mb) (100% Crop)

Customary (3.1Mb) (100% Crop)
quality_fine.jpg quality_normal.jpg

RAW (36.5Mb) (100% Crop)
quality_raw.jpg

Excessive Decision Mode

The Panasonic Lumix GH6’s Excessive Decision Mode combines 8 pictures right into a 100 megapixel picture to create a brilliant high-resolution photograph. There’s additionally a smaller 50.5 megapixel setting. The ensuing 100MP Uncooked information are 144Mb in measurement!

Off (100% Crop)

On (100% Crop)
high_resolution_off.jpg high_resolution_mode1.jpg

Picture Kinds

Panasonic’s Picture Kinds are preset mixtures of various sharpness, distinction, saturation and noise discount settings. The 15 accessible Picture Kinds are proven beneath within the following sequence, which demonstrates the variations. There are additionally 4 Customized choices so that you could create your personal appears.

Customary
photo_styles_01.jpg

Vivid
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Pure
photo_styles_03.jpg

L.ClassicNeo
photo_styles_04.jpg

Flat
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Panorama
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Portrait
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Monochrome
photo_styles_08.jpg

L.Monochrome
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L.Monochrome D
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L.Monochrome S
photo_styles_09.jpg

Cinelike D2
photo_styles_09.jpg

Cinelike V2
photo_styles_09.jpg

Like709
photo_styles_09.jpg

V-Log
photo_styles_09.jpg

Filter Results

The Panasonic Lumix GH6 provides a spread of digital filter results that may be utilized to each JPEG and Uncooked information, with 8 totally different choices accessible in the principle menu.

Expressive
filters_01.jpg

Retro
filters_02.jpg

Previous Days
filters_03.jpg

Excessive Key
filters_04.jpg

Low Key
filters_05.jpg

Sepia
filters_06.jpg

Cross Course of
filters_13.jpg

Bleach Bypass
filters_16.jpg

Evening

The Panasonic Lumix GH6’s most shutter velocity is 60 seconds and there is additionally a Bulb possibility for exposures as much as half-hour lengthy, which is good news should you’re critically keen on night time pictures.

The shot beneath was taken utilizing a shutter velocity of 30 seconds at ISO 100. If the Lengthy Publicity NR essential menu possibility is ready to ON, the digicam takes the identical period of time once more to use noise discount, so for instance on the 15 second setting the precise publicity takes 30 seconds.

iso6400.jpg

Pattern Photographs

This can be a collection of pattern photographs from the Panasonic Lumix GH6 digicam, which had been all taken utilizing the 25.2 megapixel Positive JPEG setting. The thumbnails beneath hyperlink to the full-sized variations, which haven’t been altered in any means.

Pattern RAW Photographs

The Panasonic Lumix GH6 permits customers to seize RAW and JPEG format information. We have supplied some Panasonic RAW (RW2) samples so that you can obtain (thumbnail photographs proven beneath aren’t 100% consultant).

Pattern Motion pictures & Video

This can be a pattern 5.8K/25p film on the high quality setting of 5670×4320 pixels at 25 frames per second. Please be aware that this 21 second film is 510Mb in measurement.

This can be a pattern 5.7K/50p film on the high quality setting of 5728×3024 pixels at 50 frames per second. Please be aware that this 21 second film is 759Mb in measurement.

This can be a pattern 4.4K/50p film on the high quality setting of 4352×3264 pixels at 50 frames per second. Please be aware that this 21 second film is 760Mb in measurement.

This can be a pattern C4K/100p film on the high quality setting of 4096×2160 pixels at 100 frames per second. Please be aware that this 16 second film is 577Mb in measurement.

This can be a pattern C4K/50p film on the high quality setting of 4096×2160 pixels at 50 frames per second. Please be aware that this 16 second film is 1.21Gb in measurement.

This can be a pattern C4K/25p film on the high quality setting of 4096×2160 pixels at 25 frames per second. Please be aware that this 16 second film is 1813Mb in measurement.

This can be a pattern 4K/100p film on the high quality setting of 3840×2160 pixels at 100 frames per second. Please be aware that this 15 second film is 587Mb in measurement.

This can be a pattern 4K/50p film on the high quality setting of 3840×2160 pixels at 50 frames per second. Please be aware that this 15 second film is 1.17Gb in measurement.

This can be a pattern FHD/200p film on the high quality setting of 1920×1080 pixels at 200 frames per second. Please be aware that this 16 second film is 421Mb in measurement.

Product Photographs

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Conclusion

The brand new Panasonic Lumix GH6 delivers nearly all the things that an aspiring one-man/lady videographer might ever need from a hybrid digicam.

Providing each conceivable mixture of settings below the solar, commendably all with limitless recording due to the combination of a heat-sink and fan, this actually is the swiss-army-knife of the mirrorless world.

The one so-called “lacking” function is 8K recording, one thing that a number of full-frame rivals now provide, however we predict that 5.7K/60p and 4K/120p recording and the plethora of different choices on provide greater than makes up for this.

Such a transparent concentrate on movie-making does not imply that the GH6 is much less accomodating to photographers. With a model new 25 megapixel sensor that lastly breaks the 20mp barrier and 100-megapixel handheld high-resolution capturing, Panasonic clearly have not forgotten the stills shooter.

It isn’t all excellent news, nonetheless, as a number of options from the GH5 II have fully disappeared from this new mannequin, together with 6K/4K Picture Modes, Focus Stacking and Publish Focus, and Dwell Streaming. We do not actually know why any of those have been eliminated, or whether or not they’ll be added to the GH6 at a later date by way of a firmware replace – we actually hope so.

Additionally, the GH6 is the most important and heaviest Panasonic Micro 4 Thirds digicam up to now, an unavoidable consequnce of its built-in fan – if you need your MFT digicam to be small and unassuming, you may must look elsewhere.

Lastly, whereas the up to date contrast-detection AF system is quicker and extra dependable than earlier than, it nonetheless does not evaluate that nicely to one of the best phase-detect AF methods from different mirrorless digicam producers, together with the GH6’s essential MFT rival, the OM System OM-1.

Total, the a lot anticipated Panasonic GH6 has been nicely definitely worth the wait. In comparison with 2021’s incremental GH5 II launch, the brand new GH6 represents a a lot larger step ahead, particularly for videography the place it merely has no actual competitors at its £$2000 price-point.

5 stars

Rankings (out of 5)
Design 4.5
Options 5
Ease-of-use 4.5
Picture high quality 5
Worth for cash 5

Major Rivals

Listed beneath are among the rivals of the Panasonic Lumix GH6.

The EOS R6 is one of the best ever Canon mirrorless digicam – there, we stated it! If you wish to discover out why, keep it up studying our in-depth Canon EOS R6 overview, full with full-size pattern photographs and movies.

The Nikon Z6 II mirrorless digicam is an evolutionary improve of the unique Z6, principally enhancing the autofocusing, buffer and video and including a second reminiscence card slot. Is that this sufficient to compete with its essential rivals? Discover out now by studying our in-depth Nikon Z6 II overview, full with full measurement pattern photographs and movies…

The brand new OM-D E-M1 Mark III is a severe digicam for severe photographers, designed to showcase the easiest that Olympus has to supply. Within the more and more aggressive high-end digicam market, does it have what it takes to face out from the group and appeal to new customers in addition to fulfill present ones? Learn our Olympus OM-D E-M1 Mark III overview to search out out…

Panasonic have loved numerous success with the video-centric GH5 digicam, and now they’ve turned their consideration to the fanatic {and professional} stills photographer with the discharge of the thrilling new G9. Learn our in-depth Panasonic G9 overview now to search out out extra…

The a lot anticipated Panasonic GH6 could also be on the near-horizon, however the model new GH5 Mark II is right here proper now. What does the brand new model provide, and may it actually enhance on the best-selling unique? We discover out in our overview of the Panasonic Lumix GH5 II mirrorless digicam, full with pattern photographs, check pictures, movies and extra…

The Panasonic Lumix GH5 is without doubt one of the most hotly-anticipated cameras of 2017, providing much more video choices than its well-liked predecessor and critically beefed up photograph capabilities. Learn our in-depth Panasonic Lumix GH5 overview full with with pattern photographs, check pictures, movies and extra…

The Panasonic Lumix GH5S is a brand new video-centric mirrorless digicam that excels in low-light situations due to it is 10 megapixel sensor, newest Venus processing engine, and revolutionary Twin Native ISO expertise. Try our Panasonic Lumix GH5S overview for our full verdict…

The Panasonic S5 is a model new hybrid full-frame mirrorless digicam that is equally as succesful at capturing each stills and video. In an ever extra crowded market, does the Lumix S5 provide sufficient to face out towards the likes of the Sony A7 III, Canon EOS R and Nikon Z6? Learn our in-depth overview of the Panasonic S5 to search out out, full with full-size pattern photographs and movies.

The Sigma fp L is a 61 megapixel, 35mm full-frame mirrorless digicam that shoots 4K/30p video. It is geared toward each demanding film-makers and stills photographers alike, however can this 2021 replace of the unique fp mannequin actually fulfill the wants of each varieties of person? Discover out out now by studying our in-depth Sigma fp L overview, full with full-size pattern JPEG and Uncooked photographs and movies.

The brand new Sony Alpha A7 IV is a brand new 33 megapixel, 4K/60p video, 10fps burst capturing, cutting-edge auto-focusing hybrid full-frame mirrorless mannequin that pulls no punches in its bid to be the one digicam that you just want. Discover out why we predict this is without doubt one of the finest all-round cameras of 2021 by studying our in-depth Sony A7 IV overview…

Sony are trying to show the digicam world on its head by creating a brand new 35mm full-frame digicam that is the identical measurement and weight as one with a smaller APS-C sensor. Have they succeeded with the brand new Sony A7C, and is it an awesome digicam in its personal proper? Discover out now by studying our Sony A7C overview full with full-size pattern photographs and movies.

It has been 5 lengthy years since its well-liked predecessor was launched, however now the brand new Sony A7S III full-frame mirrorless digicam is lastly with us! Is that this essentially the most succesful hybrid 4K video digicam accessible right now? Discover out now by studying our in-depth Sony Alpha 7S III overview, full with full-size photographs and movies so that you can obtain and consider…

Evaluation Roundup

Critiques of the Panasonic Lumix GH6 from across the internet.

The mirrorless filmmaking world might have develop into extra focussed on full-frame cameras since Panasonic’s GH Lumix sequence emerged, however the GH6 exhibits that there’s nonetheless life within the Micro 4 Thirds sensor format. Small and light-weight however filled with a exceptional array of video choices and wonderful picture high quality, the GH6 additionally boasts excellent dealing with and picture stabilization and maybe one of the best contrast-based autofocus but seen on a Panasonic digicam. It’s a reliable stills digicam, too.

Learn the complete overview »

Unbiased filmmakers and creatives would wrestle to discover a digicam with a extra complete record of top quality recording choices. Whereas some might really feel that having a Micro 4 Thirds sensor and distinction autofocus is outdated, the GH6 holds its personal with cameras virtually twice its value by way of performance and picture high quality and excels past the competitors with unbeatable in-body stabilisation.

Learn the complete overview »

If you happen to’re after a hybrid digicam centered in the direction of video, particularly excessive body price 4k, the Lumix GH6 turns into one of the compelling fashions round. You get 4k 120 with no discount in high quality, inner 5.7k ProRes, limitless recording due to energetic cooling, pro-level help instruments together with waveform and vectorscope screens, full V-Log, assist for anamorphic, wonderful built-in stabilisation and a crafty display mechanism.

Learn the complete overview »

Specs

TYPE

  • Kind

    • Digital Single Lens Mirrorless digicam

  • Lens mount

IMAGE SENSOR

  • Kind

    • Dwell MOS sensor (17.3 x 13.0 mm)

  • Digicam efficient pixels / Whole pixels

    • 25.21 megapixels / 26.52 megapixels

  • AR (Anti Reflection) coating

  • Facet ratio / Colour filter

    • 4:3 / Major colour filter

  • Mud discount system

LATITUDE

  • Dynamic Vary Increase ON: 13+ stops (V-Log)
    Dynamic Vary Increase OFF: 12+ stops (V-Log)

STILL IMAGE

  • Recording file format

    • JPEG (DCF, Exif 2.31), RAW

  • Facet ratio

  • File measurement (Pixels)

    • 4:3

      • 5776×4336(L) / 4096×3072(M) / 2944×2208(S) / 11552×8672(XL)* / 8192×6144(LL)* *Excessive Decision Mode.

    • 3:2

      • 5776×3848(L) / 4096×2728(M) / 2944×1960(S) / 11552×7696(XL)* / 8192×5464(LL)* *Excessive Decision Mode.

    • 16:9

      • 5776×3248(L) / 4096×2304(M) / 2944×1656(S) / 11552×6496(XL)* / 8192×4608(LL)* *Excessive Decision Mode.

    • 1:1

      • 4336×4336(L) / 3072×3072(M) / 2208×2208(S) / 8672×8672(XL)* / 6144×6144(LL)* *Excessive Decision Mode.

  • Picture high quality

    • RAW / RAW+Positive / RAW+Customary / Positive / Customary

  • Colour area

MOTION PICTURE

  • Recording file format

    • MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes
      MP4: H.264/MPEG-4 AVC, H.265/HEVC

  • Audio format

    • MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**)
      MP4: AAC (2ch 48kHz/16-bit)
      *When attaching Φ3.5mm microphone or DMW-XLR1 (bought individually). **When attaching DMW-XLR1 (bought individually).

  • System frequency

    • 59.94Hz / 50.00Hz / 24.00Hz

  • Picture space of video

  • MOV (*¹) (*²) *HLG is selectable.

    • 59.94Hz [5.8K] 5760×4320 (4:3)

      • 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

    • 59.94Hz [5.7K] 5728×3024 (17:9)

      • 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

    • 59.94Hz [4.4K] 4352×3264 (4:3)

      • 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

    • 59.94Hz [C4K] 4096×2160

      • 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF.

    • 59.94Hz [4K] 3840×2160

      • 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF.

    • 59.94Hz [FHD] 1920×1080

      • 239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*/**
        239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*/**
        119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) / 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF. **When Picture Space of Video is ready to FULL.

    • 50.00Hz [5.8K] 5760×4320 (4:3)

      • 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

    • 50.00Hz [5.7K] 5728×3024 (17:9)

      • 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

    • 50.00Hz [4.4K] 4352×3264 (4:3)

      • 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

    • 50.00Hz [C4K] 4096×2160

      • 100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF.

    • 50.00Hz [4K] 3840×2160

      • 100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF.

    • 50.00Hz [FHD] 1920×1080

      • 200.00p, 800Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*/**
        200.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*/**
        100.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        50.00i, 100Mbps (4:2:2 10-bit ALL-Intra) / 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF. **When Picture Space of Video is ready to FULL.

    • 24.00Hz [5.8K] 5760×4320 (4:3)

      • 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

    • 24.00Hz [5.7K] 5728×3024 (17:9)

      • 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

    • 24.00Hz [4.4K] 4352×3264 (4:3)

      • 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

    • 24.00Hz [C4K] 4096×2160

      • 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF.

    • 24.00Hz [4K] 3840×2160

      • 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF.

    • 24.00Hz [FHD] 1920×1080

      • 120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        120.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF.

  • MP4 (*¹)

    • 59.94Hz [4K] 3840×2160

      • 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
        29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
        23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
        29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        *HLG is selectable.

    • 59.94Hz [FHD] 1920×1080

      • 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

    • 50.00Hz [4K] 3840×2160

      • 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
        25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
        25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        *HLG is selectable.

    • 50.00Hz [FHD] 1920×1080

      • 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

    • 24.00Hz –

  • Apple ProRes (*¹) (*²)

    • 59.94Hz [5.7K] 5728×3024 (17:9)

      • 29.97p, 1.9Gbps (Apple ProRes 422 HQ) / 1.3Gbps (Apple ProRes 422) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 1.5Gbps (Apple ProRes 422 HQ) / 1.0Gbps (Apple ProRes 422) (H.264/MPEG-4 AVC, LPCM)

    • 50.00Hz [5.7K] 5728×3024 (17:9)

      • 25.00p, 1.6Gbps (Apple ProRes 422 HQ) / 1.1Gbps (Apple ProRes 422) (H.264/MPEG-4 AVC, LPCM)

    • 24.00Hz [5.7K] 5728×3024 (17:9)

      • 24.00p, 1.5Gbps (Apple ProRes 422 HQ) / 1.0Gbps (Apple ProRes 422) (H.264/MPEG-4 AVC, LPCM)

VARIABLE FRAME RATE

  • MOV (*¹) *HLG is selectable.

    • 59.94Hz [5.7K] 5728×3024 (17:9)

      • 29.97p (Most output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Most output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *When Picture Space of Video is ready to FULL.

    • 59.94Hz [C4K] 4096×2160

      • 59.94p (Most output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        29.97p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        23.98p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.

    • 59.94Hz [4K] 3840×2160

      • 59.94p (Most output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        29.97p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        23.98p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.

    • 59.94Hz [FHD] 1920×1080

      • 59.94p (Most output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        59.94p (Most output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p (Most output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        29.97p (Most output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Most output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        23.98p (Most output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.
        *Most output of sensor is 120fps when Picture Space of Video is ready to PIXEL/PIXEL.

    • 50.00Hz [5.7K] 5728×3024 (17:9)

      • 25.00p (Most output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *When Picture Space of Video is ready to FULL.

    • 50.00Hz [C4K] 4096×2160

      • 50.00p (Most output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        25.00p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.

    • 50.00Hz [4K] 3840×2160

      • 50.00p (Most output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        25.00p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.

    • 50.00Hz [FHD] 1920×1080

      • 50.00p (Most output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        50.00p (Most output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p (Most output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        25.00p (Most output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.
        *Most output of sensor is 120fps when Picture Space of Video is ready to PIXEL/PIXEL.

    • 24.00Hz [5.7K] 5728×3024 (17:9)

      • 24.00p (Most output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *When Picture Space of Video is ready to FULL.

    • 24.00Hz [C4K] 4096×2160

      • 24.00p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        24.00p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.

    • 24.00Hz [4K] 3840×2160

      • 24.00p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        24.00p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.

    • 24.00Hz [FHD] 1920×1080

      • 24.00p (Most output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        24.00p (Most output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.
        *Most output of sensor is 120fps when Picture Space of Video is ready to PIXEL/PIXEL.

VIEWFINDER

  • Kind

  • Pixels

    • Approx. 3.68 million dots

  • Discipline of view / Magnification

    • Approx. 100% / Approx. 1.52x / 0.76x (35mm digicam equal) with 50 mm lens at infinity; -1.0 m-1, when the side ratio is ready to 4:3

  • Eye level / Diopter adjustment

    • Approx. 21 mm at infinity; -1.0 m-1 / -4.0 – +3.0 (dpt)

  • Eye sensor

REAR MONITOR

  • Kind

    • TFT LCD monitor with static contact management

  • Monitor measurement

    • Tilt free-angle, 3.0-inch (7.6cm), 3:2 side

  • Pixels

    • Approx. 1.84 million dots

  • Discipline of view

FOCUS (*³)

  • Kind

  • DFD expertise

  • Focus mode

    • AFS (Single) / AFC (Steady) / MF

  • AF mode

    • Monitoring / Full Space AF / Zone (Horizontal/Vertical) / Zone / 1-Space+ / 1-Space / Pinpoint
      *Automated Detection may be turned ON to modify between Human/ Face/Eye/ Animal+Human. Besides when Pinpoint is ready.

  • AF detective vary

    • EV -4 – 18 (F2.0, ISO100 equal, AFS)

  • AF customized setting

    • AF Sensitivity, AF Space Switching Sensitivity, Shifting Object Prediction

  • AF help mild

  • AF lock

    • Set the Fn button in customized menu to AF lock

  • Focus ring management

    • Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Most) *When a suitable lens is connected.

  • Others

    • AF-ON, AF-ON: Close to Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Space AF Shifting Velocity, Steady AF (throughout movement image recording), Focus/Shutter Precedence, Focus Switching for Vert/Hor, AF/AE Lock Maintain, AF+MF, MF Help, MF Information, Focus Ring Lock, Present/Conceal AF Mode, Shutter AF, Half Press Shutter, Fast AF, Eye Sensor AF, Loop Focus Body, Enlarged Dwell Show (Video), Contact Shutter, Contact AF/AE Perform, Contact Pad AF, Lens Focus Resume

EXPOSURE CONTROL

  • Gentle metering system

    • 1,728-zone multi-pattern sensing system

  • Gentle metering mode

    • A number of / Middle Weighted / Spot / Spotlight Weighted

  • Metering vary

    • EV0-18 (F2.0 lens, ISO100 equal)

  • Mode dial

    • Program AE (P) / Aperture Precedence AE (A) / Shutter Precedence AE (S) / Guide Publicity (M) / Artistic Video (P/A/S/M)* / Customized 1, 2, 3, 4 / Clever Auto
      *The identical publicity operations as P/A/S/M mode is accessible.

  • Publicity compensation

    • 1/3 EV step ±5EV (±3EV for movement image)

  • Dynamic Vary Increase

  • ISO sensitivity (Customary output sensitivity)

    • Nonetheless picture

    • Movement image

      • [Normal]
        Dynamic Vary Increase OFF (Base ISO 100): Auto / 50 (Prolonged ISO) / 100-12800
        Dynamic Vary Increase ON (Artistic Video Mode) (Base ISO 800): Auto / 800-12800

        [V-Log]
        Dynamic Vary Increase OFF (Base ISO 250): Auto / 125 (Prolonged ISO) / 250-12800
        Dynamic Vary Increase ON (Artistic Video Mode) (Base ISO 2000): Auto / 2000-12800

        [Hybrid Log Gamma]
        Dynamic Vary Increase OFF (Base ISO 250): Auto / 250-12800
        Dynamic Vary Increase ON (Artistic Video Mode) (Base ISO 2000): Auto / 2000-12800

        *Switchable between 1/3 or 1 EV step.

  • AE lock

    • Set the Fn button in customized menu to AE lock

IMAGE STABILIZATION SYSTEM

WHITE BALANCE

  • White steadiness

    • AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Colour temperature setting 1, 2, 3, 4

  • White steadiness adjustment

    • Blue/Amber bias, Magenta/Inexperienced bias

  • Colour temperature setting

SHUTTER

  • Kind

  • Shutter velocity

    • Nonetheless picture: Bulb (Max. half-hour), 1/8,000 – 60
      Digital entrance curtain shutter: Bulb (Max. half-hour), 1/2,000 – 60
      Digital shutter: Bulb (Max. 60 sec), 1/32,000 – 60
      Movement image: 1/25,000 – 1/25
      Artistic Video M mode / MF mode: 1/25,000 – 1/8

  • Self timer

    • 10sec, 3 photographs / 2sec / 10sec / Customized Time

  • Distant management

    • Distant management by DMW-RS2 (bought individually)

  • Silent mode / Shutter sort

    • Sure / Sure (Auto / Mechanical / Digital entrance curtain / Digital / Digital+NR)

BRACKET

  • AE bracket

    • 3, 5, 7 photographs in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst

  • Aperture bracket

  • Focus bracket

    • 1 to 999 photographs, focus steps may be set in 10 ranges

  • White steadiness bracket

    • 3 photographs in blue/amber axis or in magenta/inexperienced axis, colour temperature setting

BURST SHOOTING

  • Burst velocity

    • Mechanical shutter / Digital entrance curtain shutter

      • H: 14 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Dwell View)
        M: 6 frames/sec (AFS/MF) (with Dwell View), 5 frames/sec (AFC) (with Dwell View)
        L: 2 frames/sec (AFS/MF/AFC) (with Dwell View)

    • Digital shutter

      • SH75: 75 frames/sec (AFS/MF)
        SH60: 60 frames/sec (AFS/MF)
        Sh30: 20 frames/sec (AFS/MF)
        H: 14 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Dwell View)
        M: 6 frames/sec (AFS/MF) (with Dwell View), 5 frames/sec (AFC) (with Dwell View)
        L: 2 frames/sec (AFS/MF/AFC) (with Dwell View)

  • Variety of recordable photographs

TIME LAPSE SHOT

STOP MOTION ANIMATION

FLASH

  • Flash sort

    • TTL Exterior Flash (bought individually)

  • Flash mode

    • Auto* / Auto/Pink-eye Discount* / Compelled On / Compelled On/Pink-eye Discount / Gradual Sync. / Gradual Sync./Pink-eye Discount / Compelled Off *For iA solely.

  • Flash synchronization

    • 1st Curtain Sync, 2nd Curtain Sync.

  • Flash output adjustment

  • Synchronization velocity

  • Wi-fi management

    • Sure (When utilizing DMW-FL200L / FL360L / FL580L (bought individually)), Wi-fi Channel: 1ch/2ch/3ch/4ch

  • Flash sync socket

EXTRA TELE CONVERSION

  • 2.0x (EX S), 1.4x (EX M) *Just for nonetheless picture recording.

PHOTO STYLE

  • Picture Model

    • Customary / Vivid / Pure / L. Traditional Neo / Flat / Panorama / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log / Hybrid Log Gamma / My Picture Model 1-10

  • Image adjustment

    • Distinction / Spotlight / Shadow / Saturation / Colour Tone / Hue / Filter Impact / Grain Impact / Colour Noise / Sharpness / Noise Discount / ISO / WB
      *Adjustable settings range relying on the Picture Model mode.

FILTER

  • Expressive / Retro / Previous Days / Excessive Key / Low Key / Sepia / Cross Course of / Bleach Bypass

MOTION PICTURE FUNCTION

  • Grasp pedestal degree

  • Luminance degree

    • 8-bit: 0-255 / 16-235 / 16-255
      10-bit: 0‒1023 / 64‒940 / 64‒1023

  • Wave kind monitor / Vectorscope

  • LUT view help

    • Supported file varieties: .vlt, .dice
      Monitor / HDMI

  • HLG view help

    • Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)

  • Anamorphic desqueeze show

    • 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF

  • Synchro scan

  • SS/Acquire operation

    • Shutter Length/ISO / Angle/ISO / Shutter Length/dB

  • Colour bars / 1kHz check tone

    • Sure (SMPTE / EBU / ARIB) / Sure

  • Knee management

  • Pink REC body indicator

VERTICAL POSITION INFORMATION

  • Nonetheless picture / Movement image (ON/OFF)

LEVEL GAUGE

FUNCTION BUTTON

  • REC

    • Publicity Comp. / Dynamic Vary Increase / Sensitivity / White Stability / Picture Model / Metering Mode / Facet Ratio / Image High quality / Image Measurement / 1 Shot Spot Metering / Lengthy Publicity NR / Min. Shutter Velocity / 1 Shot RAW+JPG / Filter Impact / One Push AE / Contact AE / Publicity Mode / Synchro Scan / AF Mode / AF Detection Setting / Detecting Topic / AF Customized Setting(Picture) / AF Customized Setting(Video) / Focus Limiter / Focus Limiter Vary Set / Focus Peaking / Focus Peaking Sensitivity / 1-Space AF Shifting Velocity / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Close to Shift / AF-ON: Far Shift / Focus Space Set / Enlarged Dwell Show (Video) / Flash Mode / Flash Regulate. / Wi-fi Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Picture Stabilizer / Shutter Kind / Ex. Tele Conv. / Rec. File Format / Rec High quality / Rec High quality (My Record) / Variable Body Charge / Time Code Show / Audio Info / Sound Rec Degree Disp. / Mute Sound Enter / Sound Rec Degree Adj. / Sound Rec High quality / Sound Rec Degree Limiter / 4ch Mic Enter / XLR Mic Adaptor Setting / Sound Monitoring Channel / Picture Stabilizer / E-Stabilization (Video) / Increase I.S. (Video) / Picture Space of Video / Focus Transition / Q.MENU / Rec/Playback Swap / Video File / Video File (Artistic Video) / LVF/Monitor Swap / Dial Operation Swap / Preview / Preview Aperture Impact / Fixed Preview / Degree Gauge / Histogram / Luminance Spot Meter / Body Marker / Picture Grid Line / Dwell View Increase / Monochrome Dwell View / Evening Mode / LVF/Monitor Disp. Set / Video-Precedence Show / Zebra Sample / LUT View Help (Monitor) / LUT View Help (HDMI) / LUT Choose / HLG View Help(Monitor) / HLG View Help (HDMI) / Sheer Overlay / I.S. Standing Scope / WFM/Vector Scope / Anamorphic Desqueeze Show / Colour Bars / Focus Ring Management/ Zoom Management / Step Zoom / Zoom Velocity / Lens Info / Vacation spot Card Slot / Wi-Fi / Fan Mode / Save to Customized Mode / No Setting / Off (Disable Press and Maintain) / Restore to Default

  • PLAY

    • Amplify from AF Level / LUT View Help (Monitor) / HLG View Help (Monitor) / Anamorphic Desqueeze Show / RAW Processing / Delete Single / Defend / Ranking 1, 2, 3, 4, 5 / Copy / Rec/Playback Swap / LVF/Monitor Swap / Video File / Video File (Artistic Video) / Evening Mode / Card Slot Change / Sound Monitoring Channel(Play) / Wi-Fi / Fan Mode / Ship Picture (Smartphone) / LUT View Help (HDMI) / HLG View Help (HDMI) / No Setting / Off (Disable Press and Maintain) / Restore to Default

OSD LANGUAGE

  • Please check with “OSD” Sheet

PRINT

INTERFACE

  • USB

    • USB Kind-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2))

  • HDMI (*⁴)

    • HDMI

      • HDMI TypeA
        Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is ready to OFF.), 4ch (When [4ch Mic Input] is ready to ON.)

    • Monitor-through

      • 4:2:2 10bit (When [Rec Quality] is ready to [4:2:2 10bit] or [4:2:0 10bit].)
        4:2:2 8bit (When [Rec Quality] is ready to [4:2:0 8bit].)
        Down Convert: Auto / C4K/4K / 1080p / 1080i / OFF

    • Playback

      • 59.94Hz: 8K/30p* / C4K/120p** / C4K/60p / C4K/30p / 4K/120p** / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p** / 480p**
        50.00Hz: 8K/25p* / C4K/100p** / C4K/50p / C4K/25p / 4K/100p** / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p** / 576p**
        24.00Hz: 8K/24p* / C4K/120p** / C4K/24p / 4K/120p** / 4K/24p / 1080/120p / 1080p
        *Just for nonetheless picture playback. **Just for playback.

  • Distant enter

  • Audio

    • Construct-in microphone

      • Stereo
        Wind Noise Canceller: OFF / Customary / Excessive

    • Exterior microphone / Exterior audio system enter

      • φ3.5mm for exterior microphone / exterior audio system
        MIC (Plug-in Energy) / MIC / LINE
        Wind Reduce: OFF / Low / Customary / Excessive *When attaching DMW-MS2 (bought individually).
        Particular Mic: Stereo / Shotgun *When attaching DMW-MS2 (bought individually).

    • XLR microphone

      • Sure with DMW-XLR1 (bought individually)

    • 4ch mic enter

      • Sure with DMW-XLR1 (bought individually)

    • Speaker

    • Headphone output

  • Card slot

    • Slot 1: CFexpress Card (CFexpress Kind B)
      Slot 2: SD Reminiscence Card / SDHC Reminiscence Card* / SDXC Reminiscence Card*
      *Suitable with UHS-I/UHS-II UHS Velocity Class 3 normal SDHC/SDXC Reminiscence Playing cards and UHS-II Video Velocity Class 90 normal SDXC Reminiscence Playing cards.

TC IN/OUT

  • TC IN/OUT

    • Sure with BNC Converter Cable (bundled)

  • Depend up

  • Time code mode

    • Drop Body / Non-Drop Body (When system frequency [59.94Hz] is chosen.)

  • HDMI time code output

  • Exterior TC setting

    • TC Synchronization / TC Output Reference

FAN

  • Auto1 / Auto2 / Quick / Regular / Gradual / OFF* *OFF may be set when in iA/P/A/S/M mode.

LAMP

  • Tally Lamp (entrance/rear) / Card Entry Gentle / Energy Indicator / Charging Gentle/Community Connection Gentle

WIRELESS

  • Wi-Fi

    • 2.4GHz (STA/AP) (IEEE802.11b/g/n)
      5GHz (STA) (IEEE 802.11a/n/ac)
      Safety: WPA/WPA2/WPA3
      Please check with “Wi-Fi” sheet

  • Bluetooth

    • Bluetooth® v5.0 (Bluetooth Low Vitality (BLE))

DUST AND SPLASH RESISTANT*

  • Sure.
    *Mud and Splash Resistant doesn’t assure that injury won’t happen if this digicam is subjected to direct contact with mud and water.

POWER

  • Battery

    • Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
      USB energy provide, USB energy charging, USB energy supply

  • Battery life (CIPA normal)

    • When utilizing CFexpress Card

      • Approx. 330 photographs, 750 photographs (Energy Save LVF mode*) with H-ES12060 / DMW-BLK22
        Approx. 350 photographs, 800 photographs (Energy Save LVF mode*) with H-FS12060 / DMW-BLK22
        *Utilizing a Lexar CFexpress Kind B card. Below the check situations specified by Panasonic based mostly on CIPA normal. When the time to get within the sleep mode is ready to 1 sec.

    • When utilizing SD reminiscence card

      • Approx. 360 photographs, 850 photographs (Energy Save LVF mode*) with H-ES12060 / DMW-BLK22
        Approx. 380 photographs, 900 photographs (Energy Save LVF mode*) with H-FS12060 / DMW-BLK22
        *Utilizing a Panasonic SDXC reminiscence card. Below the check situations specified by Panasonic based mostly on CIPA normal. When the time to get within the sleep mode is ready to 1 sec.

  • Steady recordable time (Movement image) (*¹)

    • When utilizing CFexpress Card

      • MP4 [4K/60p]: Approx. 80 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 90 min with H-ES12060 / H-FS12060

    • When utilizing SD reminiscence card

      • MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060

  • Precise recordable time (Movement image) (*¹)

    • When utilizing CFexpress Card

      • MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 45 min with H-ES12060 / H-FS12060

    • When utilizing SD reminiscence card

      • MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060

DIMENSIONS / WEIGHT

  • Dimensions (W x H x D)

    • Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (excluding protrusions)

  • Weight

    • Approx. 823g / 1.81 lb (SD Reminiscence Card x 1, Battery, Physique)
      Approx. 739g / 1.63 lb (Physique solely)

OPERATING ENVIRONMENT

  • Working temperature (*⁵)

    • -10°C to 40°C (14°F to 104°F)

  • Working humidity

STANDARD ACCESSORIES

Notice

  • (*1) About movement image recording

    – The playing cards that can be utilized for recording range relying on the movement photos bit price and format sort.
    Movement photos with 72Mbp or much less: CFexpress card, SD reminiscence card with SD Velocity Class with Class 10 or Video Velocity Class 10 or larger
    Movement photos with 200Mbp or much less: CFexpress card, SD reminiscence card with UHS-I / UHS-II UHS Velocity Class 3 (U3) or Video Velocity Class 30 or larger
    Movement photos with 400Mbp or much less: CFexpress card, SD reminiscence card with Video Velocity Class 60 or larger
    Movement photos with 600Mbp or much less: CFexpress card, SD reminiscence card with Video Velocity Class 90
    Movement photos with 800Mbp or extra, variable body price with ALL-Intra, or Apple ProRes: CFexpress card

    – A brand new file can be created to proceed recording if the continual recording time exceeds the next situations.
    Movement photos with lower than 72Mbps: half-hour
    Movement photos with 72Mbp or extra: the utmost file measurement is 4 GB

    – A brand new file can be created to proceed recording if the file measurement exceeds the next situations.
    [MP4] in [FHD]: 4GB
    [MP4] in [4K]: 96GB
    [MOV] in 600Mbps or much less: 192GB
    [MOV] in 800Mbps: 640GB
    [ProRes] in [5.7K]: 640GB

    – 4:2:2 10-bit recording is a recording mode for movie manufacturing and the video must be processed on PC. The unique video can’t be performed on normal TV, Blu-ray Disc™ recorder and Blu-ray Disc™ participant. It could trigger issues similar to freezing when performed on these units.

    – When the ambient temperature is excessive or steady recording is carried out, the digicam might cease the recording to guard itself. Wait till the digicam cools down.

    (*2) Excessive-res audio is selectable solely when attaching Φ3.5mm microphone or DMW-XLR1 (bought individually).
    (*3) About AF
    – Steady AF will not be accessible for Excessive Body Charge video capturing above 120p (200p or 240p). Will probably be the AFS operation for 1-Space AF. 200p Excessive Body Charge video capturing requires a firmware replace for the suitable lens.
    – Automated Detection will not be accessible for Excessive Body Charge video capturing above 60p (100p or 120p).
    – Monitoring and Automated Detection aren’t accessible when utilizing HDMI cable or USB connection cable for Excessive Body Charge video capturing (100p or 120p) above 60p.

    (*4) To output movement photos with 4K or larger,use an Extremely Excessive Velocity HDMI cable (Kind A–Kind A plug, as much as 1.5 m (4.9 ft) lengthy).

    (*5) The digicam might cease recording when utilized in decrease or larger than advisable working temperature: -10 to 40 levels.

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