Introduction
In 2020 Nikon launched the D6, their top-of-the-range 35mm full-frame DSLR digicam designed for skilled sports activities, wildlife and information photographers.
Quick ahead to 2022, and we now have the mirrorless equal – the FX-format Nikon Z9, which in some ways exceeds even what the mighty D6 is able to.
Nikon have not formally mentioned that the D6 shall be their final ever skilled DSLR, however after having used the Z9 extensively, it is secure to say that this new mirrorless mannequin has what it takes to hold on the mantel of being the corporate’s flagship digicam, no matter expertise it makes use of.
Canon have additionally equally transitioned their professional digicam from DSLR to mirrorless expertise just lately, with the EOS-1DX Mark III being successfully changed by the EOS R3.
The Nikon Z9 is priced at £5299 / $5499 physique solely.
When it comes to the Z9’s important rivals, they primarily embrace the Sony A1, Sony A9 II and the Canon EOS R3.
Learn on for our full Nikon Z9 evaluate, full with full-size pattern photographs and movies so that you can obtain and consider.
Ease of Use
We have been testing a full-production Nikon Z9 digicam for the previous few weeks, paired with a number of lenses together with the Z 24-120mm f/4 S and the Z 100-400mm f/4.5-5.6 VR S.
Each the R3 and the Z9 have a really clear deal with out-and-out velocity, however whereas the Canon mannequin sacrifices decision so as to obtain its 30fps burst capturing velocity, the Z9 manages to hit the identical headline-grabbing body price regardless of utilizing a a lot increased decision 45.7 megapixel sensor.
There may be one necessary caveat to keep in mind although – whereas the 24 megapixel Canon R3 can shoot in each JPEG and Uncooked codecs at 30fps, the 45 megapixel Nikon Z9 can shoot in JPEG format at 30fps, however “solely” 20fps when recording Uncooked information.
On a extra constructive observe, the Z9 can take over 1000 Uncooked information in a single burst earlier than the digicam slows down, equal to round 50 seconds of recording time, which is a frankly unimaginable achievement and one that will truly be extra helpful than the additional 10fps that the R3 presents, particularly because the Canon digicam has a way more modest 100 shot buffer.
If 20fps for Uncooked and 30fps for JPEG is not quick sufficient for you, the Z9 has an ace up its sleeve within the type of a formidable 120fps capturing price when recording 11 megapixel stills. Maybe extra impressively, all the Z9’s steady capturing modes are with full AF/AE monitoring, even the 120fps mode.
The D6 DSLR, in the meantime, can shoot at burst charges of as much as 14fps for as much as 2000 Fantastic high quality JPEGs, no imply feat however over twice as gradual as each the R3 and Z9 when utilizing JPEGs.
So how precisely do these mirrorless cameras up the velocity ante? These 30fps charges are achieved by utilizing the digicam’s digital shutter – the R3 has a way more modest 12fps burst ranking when utilizing its mechanical shutter.
And the Nikon Z9? Properly, that does not also have a mechanical shutter inside it, as a substitute counting on utilizing an digital shutter for all of its seize modes.
The Z9 is without doubt one of the only a few cameras in the marketplace that fully forgoes a mechanical shutter – the Sigma fp collection is the one different one which we’re conscious of, and that has a really clear deal with being a video digicam in the beginning.
The Nikon is billed rather more as an all-rounder aimed toward each skilled stills photographers and videographers, so the entire omission of a mechanical shutter is a really courageous choice certainly.
Digital shutters sometimes undergo from “rolling shutter” when capturing fast-moving topics, however Nikon are satisfied that they’ve overcome that situation within the Z9 because of its mixture of a stacked sensor, the very newest Expeed 7 processor which presents processing speeds roughly 12x quicker than the Z7 II, and the usage of CFexpress Kind B reminiscence playing cards. They’re so satisfied that they have not even included a mechanical shutter contained in the Z9 as a backup.
That call has a number of knock-on advantages for Z9 shooters – the digicam is basically silent, a lot in an effort to select from a wide range of synthetic shutter sounds and volumes so as to get some suggestions about what it is truly doing.
With no reliance on a transferring mechanical half, there’s much less to go fallacious, important for a digicam that’s undoubtedly going to have a tough life – overlook having to fret about most shutter cycles with the Z9.
And regardless of the absence of a mechanical shutter, flash sync as much as 1/200 sec. continues to be supported, which is almost as quick because the D6’s 1/250 sec. sync velocity and certainly as quick as most mechanical shutters, in addition to Nikon’s typical array of excessive velocity sync capabilities.
The Stacked BSI CMOS sensor gives a local ISO vary that runs from 64-25,600, which might be expanded to ISO 32-102,400, and the highest shutter velocity is 1/32,000 sec. because of that digital shutter.
The Canon R3 has an excellent increased ISO velocity of 204,800 and a quicker most shutter velocity of 1/64,000 sec, barely beating the Z9, however then it does supply a way more modest decision.
The place the Nikon Z9 does have an edge over its most evident rival is video decision. That is the primary ever Nikon digicam to supply 8K recording – UHD 8K 30p video might be repeatedly recorded with no crop for roughly 2 hours 5 minutes, whereas the Canon R3 is restricted to 6K Uncooked recording.
Should you’re primarily fascinated with 4K UHD, the Z9 presents that with a wide range of body charges as much as 120p slow-motion, once more utilizing everything of the body with no crop issue, and 4K UHD video oversampled from 8K is feasible when recording within the 30p/25p/24p modes for even better sharpness and element.
Inside recording with 10-bit coloration and 4:2:2 sampling is supported through the ProRes 422 HQ and H.265 codecs, and you may extract high-resolution nonetheless frames from 8K footage and save them as particular person 33 megapixel JPEG information.
There may be as much as 6-stops of 5-axis picture stabilisation obtainable through a mixture of the digicam’s in-body Picture Stabiliser which, for the primary time on a Nikon Z-series digicam, works in tandem with the hooked up lens’s personal stabilisation system.
The Nikon Z9 has a blackout-free 3690k-dot digital viewfinder with 60fps refresh price, 100 per cent protection and 3000-nit brightness, and a four-axis vertically and horizontally tilting 3.2-inch, 2,100K-dot touch-screen LCD display screen.
The 493-point phase-detection AF system that is used when capturing video or in Dwell View consists of 405 auto-area AF factors, refreshes at as much as 120 fps and works all the way down to -8.5 EV within the particular Starlight mode, with 10 completely different AF-area modes obtainable.
The Z9 can recognise 9 completely different topic varieties together with folks, animals, birds and automobiles, while the corporate’s most superior 3D-tracking system makes its debut in a Nikon mirrorless digicam.
There’s additionally twin CFexpress Kind B reminiscence card slots, built-in Wi-Fi, Bluetooth and GPS, and built-in USB 3.2 Kind-C, full-size Kind A HDMI, headphone, microphone, 10-pin distant/equipment, and 1000BASE-T Ethernet ports.
The Nikon Z9’s magnesium alloy physique is each dust- and weather-resistant, similar to the D6, with each cameras providing the identical stage of weather-proofing as one another.
Identical to Canon with the EOS-1DX III and EOS R3, within the final couple of years Nikon have launched not one flagship motion digicam within the type of 2020’s D6 DSLR, however two with the 2022 unveiling of the Nikon Z9 mirrorless mannequin.
Each of those fashions are particularly focused at sports activities and wildlife photographers and videographers who prioritise velocity of capturing and operation above all else, making the brand new Z9 a extra area of interest proposition than, say, the Z7 II.
Considered side-by-side, it is instantly clear that the latter owes an terrible lot to each the D6 when it comes to its general design, albeit in a considerably smaller and lighter package deal, and in addition to the Z7 II when it comes to its exterior management format.
Subsequently the Z9 is barely lighter than the D6, weighing in at 1160g / 2lb. 9oz. physique solely or 1340g / 2lb. 15.3oz. with battery and reminiscence card fitted versus 1270g / 2lb. 12.8oz. and 1450g / 3lb. 3.2oz. respectively on the DSLR.
It is smaller too, measuring 149 x 149.5 x 90.5mm / 5.9 x 5.9 x 3.6in. versus the 160 x 163 x 92mm / 6.3 x 6.5 x 3.7in. dimensions of the D6.
So though each cameras share the identical integrated-grip design that is lengthy been adopted by the flagship D-series, the brand new Nikon Z9 is smaller, lighter and due to this fact extra usable for longer intervals because of this.
Certainly, the truth that it isn’t that a lot larger and heavier than a Z7 II with a MB-N11 Energy Battery Pack with Vertical Grip hooked up implies that it’s best to solely low cost the Z9 in the event you actually need to have the choice of briefly eradicating a few of its bulk.
In follow, I discovered it virtually as simple to deal with the Nikon Z9 for longer intervals of time as any semi- or pro- digicam with a battery grip hooked up, and being utterly built-in into the general design, there is not any undesirable flex or motion that is inherent to cameras with non-compulsory battery grips hooked up.
One other direct profit is that the Z9 advantages from having a really deep handgrip that comfortably accommodates 4 fingers, one thing that may’t be mentioned of a few of its important rivals.
On the coronary heart of the Nikon Z9 is a model new 45.7 megapixel sensor with, for the primary time ever on a Nikon digicam, a stacked design that has been developed completely by Nikon.
Sony customers have in fact loved the advantages of a stacked design for a number of years now, for the reason that launch of the unique Alpha 9 in 2017, so it is nice to see Nikon catching up with one among their important rivals.
This lets you use the Z9’s completely digital shutter to freeze quick motion with out worrying about rolling shutter distortion while having fun with a black-out free, 3690k-dot, 0.8x-magnification OLED digital viewfinder that refreshes at 60fps, excellent for monitoring your topic while capturing at as much as 30fps.
A few these key specs do not evaluate that favourably to the EOS R3 and Sony Alpha A1 – the EVF has much less decision than its important rivals, and the refresh price is half that of the R3 and A1.
In follow, the truth that the Z6 makes full use of its extra modest EVF decision all the time, for each liveview and playback, implies that it gives a really comparable expertise to the R3 and Alpha 1, which briefly decrease the decision for liveview. And whereas 60fps does not sound nice on paper in comparison with its important rivals’ 120fps refresh price, once more in actual world use you would be hard-pressed to inform the distinction between them, feeling very responsive and constant in any state of affairs.
The magnesium-alloy bodied Nikon Z9 has an overhauled AF system and sensor that supply even higher AF monitoring efficiency, picture high quality and communication capabilities than the D6 digicam.
Beginning with the headline-grabbing steady capturing speeds, that is definitely true when profiting from the digicam’s utterly silent digital shutter, which ups the ante from a comparatively modest 14fps on the D6 to a blistering 30fps on the brand new Nikon Z9, full with full AF and AE monitoring.
The digicam’s buffer permits bursts of as much as 1000 JPEG frames at both 30 or 20fps or 160 Uncooked/JPEG pictures at 20fps at 45.7 megapixels with the newest firmware replace, which is mightily spectacular for such a high-resolution digicam.
Having the ability to repeatedly shoot 8 seconds of 45 megapixel RAW information at 20fps or 50 seconds of full-sized JPEG information on the similar price utilizing a very silent shutter ought to definitely please all however the pickiest of consumers.
To deal with fashionable information hungry calls for, the digicam makes use of the newest technology CFexpress Kind B reminiscence card format, which share the identical outer design as XQD playing cards that the digicam additionally helps, however they’ve quicker reminiscence inside. If you wish to take full benefit of the insane capturing speeds that the Z9 presents and you do not have already got a bag stuffed with XQD playing cards, then we might advise investing in CFexpress Kind B reminiscence playing cards from the outset to get the very best out of the digicam.
Not like the EOS R3, which has a second card slot reserved for slower UHS-II SD playing cards, Nikon have gone all in on the Z9 for CFexpress Kind B, a transfer that’s completely suited to the digicam. As we have already talked about, the reminiscence card format is a crucial a part of the Z9 as a complete, supporting the 8K video recording, burst capturing and speedy efficiency, and it is doubtless that having a UHS-II SD would have resulted in some compromises having to be made to accommodate it.
It is no use having all of that uncooked velocity at our fingertips nevertheless if the digicam falls down in different necessary respects. Battery life is, nevertheless, thankfully as strong because the digicam’s outer shell.
With the model new rechargeable EN-EL18d cell that is extra highly effective than the EN-EL18c battery utilized by the D6 inserted, it is claimed that 700 photographs most are achievable from a full cost. That does not evaluate all that effectively with the whopping 3580 battery life provided by the D6, however then that lifespan is relevant when solely utilizing the D6’s optical viewfinder.
Be aware that any earlier EN-EL18 collection battery can nonetheless be used within the Z9, however the older fashions will not supply the identical 700-shot battery life provided by the brand new EN-EL18d.
Even when customers are capturing primarily within the Nikon Z9’s 30fps burst mode, it’ll nonetheless take a while to rattle by means of its battery life, because the quoted CIPA figures are very conservative. Plus you possibly can all the time pack a spare battery or three if heading out for the day or as back-up when overlaying a serious occasion.
The Z9 options Nikon’s most superior auto-focusing system, surpassing even the mighty D6 and greater than matching its important mirrorless rivals.
It has a 493-point phase-detection AF system which incorporates 405 auto-area AF factors, with 100% body protection. Impressively the Nikon Z9 can focus in gentle ranges as little as -8.5EV when used within the Starlight mode, the very best of any present Nikon mirrorless digicam.
Because of its Expeed 7 processor, the Nikon Z9 presents a spread of deep-learning synthetic intelligence based mostly AF monitoring modes which might be much like those discovered on the Canon EOS R3.
The Z9 can recognise and monitor eyes which might be a lot smaller within the body than earlier fashions, and it really works even when the individual is sporting a masks, helmet or sun shades. Topic monitoring works for people and in addition canines, cats and birds, the latter even in flight.
The Nikon Z9 additionally has the flexibility to trace automobiles, together with planes, trains, bicycles and motorbikes. What’s extra, if the motive force is sporting a helmet, the AF system will lock on to that, making certain that an important topic is in focus.
A significant distinction between the Nikon Z9 and different comparable methods from Canon, Olympus and Sony is that the Z9 moreover presents an ‘Auto’ topic mode that may reliably recognise the right topic, in order that you do not have to manually change between them. You may nonetheless try this if you wish to guarantee that the digicam solely detects a sure topic, however for many events the Auto mode does a nice job.
Along with the in depth vary of deep-learning AI topic recognition algorithms, Nikon have added one other welcome characteristic to the Z9 within the type of 3D monitoring, one thing that has lengthy been a mainstay on the corporate’s DSLRs.
Fortunately, it really works simply as effectively and in the identical means, drawing a gray sq. field across the topic and tenaciously monitoring it while you’re utilizing the C-AF mode. The truth is, it is even higher than on, say, the D6 because it now works throughout your complete body reasonably than simply within the centre, and it is much more dependable when used at the side of the topic recognition settings.
Whereas the D6 solely provided digital picture stabilisation for films, the Z9’s glorious in-body five-axis picture stabilisation system gives as much as 6 stops of compensation when paired with sure Z-series lenses that even have their very own built-in Vibration Discount (VR) system.
In-body stabilisation is without doubt one of the key advantages of mirrorless versus DSLRs generally and due to this fact additionally one of many key causes to decide on the Z9 over the D6.
It has now been designed to work collaboratively with the VR system that is constructed into a number of Z-mount lenses, with the lens and the sensor working collectively to appropriate pitch and yaw and the sensor correcting the X-Y and roll actions.
This clever Synchro VR mode gives 6-stops of stabilisation with some lenses (the Z MC 105mm F2.8 VR, Z 100-400mm F4.5-5.6 VR S and Z 70-200mm F2.8 VR S), permitting you to hand-hold the digicam for as much as 2 seconds and nonetheless get critically sharp outcomes.
The Nikon Z9 may stabilise older, non-VR lenses together with any F-mount lens that’s mounted on it through the Nikon FTZ mount adapter.
The stabilisation system will even work with lenses from different producers – you simply must enter the focal size into the digicam’s menu system.
In follow, the Nikon Z9 stabilisation system is superb, making it doable to hand-hold the digicam at beforehand impossibly gradual shutter speeds and nonetheless keep vital sharpness.
For capturing at evening or in low gentle, customers get incrementally selectable sensitivity settings operating from an expanded ISO 32 to ISO 102,400, chosen through the rear command dial, with a well-recognized LCD window on the highest plate detailing the choice made.
That is an impressively broad choice, particularly as pictures on the boosted settings are nonetheless usable, one thing that could not be mentioned in regards to the D6, the place in the event you strayed above the non-expanded ISO 102,400 choice to the likes of the frankly mad ISO 3,280,000 setting, outcomes had been largely unusable.
File format clever, the Nikon Z9 helps each RAW and JPEGs, however not like Sony and Canon, not the ‘subsequent technology’ HEIF (Excessive Effectivity Picture File) file format, which pictures with 10-bits of knowledge to be saved in a file the equal measurement of a JPEG, whereas struggling much less compression.
In fact, Uncooked information might be shot in tandem with JPEGs as per typical – right here with Nikon’s personal .NEF file extension, which requires the likes of Photoshop or Lightroom to entry and open.
Nikon have launched the model new Excessive Effectivity RAW file format on the Z9, which retains the identical stage of element as an uncompressed RAW however crucially at both half or one-third of the usual RAW file measurement. This enables for each quicker studying/writing to the reminiscence card and fewer cupboard space being required, essential necessities given the massive 45 megapixel information that the digicam generates.
For video specialists the Nikon Z9 boasts uncropped 8K/30p 10-bit inner recording to a CFexpress card utilizing H.265 (HEVC) or 10-bit Apple ProRes 422 HQ, making it one of many only a few cameras in the marketplace to supply 8K recording.
Though not obtainable at launch, Nikon have promised to ship a free firmware replace in Spring 2022 that can allow the Z9 to document RAW 8K video in ultra-smooth 60p. The identical replace will even allow 12-bit in-camera recording that helps ProRes RAW HQ and Nikon’s new N-RAW format.
There’s additionally uncropped 4K DCI and UHD 10-bit recording at body charges between 24 and 120fps slow-motion within the MP4 format, and even sharper and extra detailed UHD 4K recording is feasible at as much as 30p by oversampling the sensor’s 8K native output.
The Z9 has a 10-bit N-Log setting in addition to a Flat coloration profile for extra latitude when coloration grading, and HLG (Hybrid Log Gamma) is supported for in-camera HDR-content.
The Z9 helps recording occasions of as much as 2 hours 5 minutes with no overheating, and it options mic and headphone ports and a full-sized HDMI Kind-C port for output to an exterior recorder.
The Z9 is the newest Nikon digicam to have built-in IEEE 802.11b/g/n/a/ac Wi-Fi (5 GHz and a couple of.4 GHz) and Bluetooth 5.0. There may be additionally a built-in GPS module which can be appropriate with GLONASS (Russia) and QZSS (Japan) and it additionally encompasses a 1000BASE-T Ethernet interface and RJ-45 port for a quick and safe hardwired connection.
Many of the buttons on the Nikon D6 may very well be illuminated if its show gentle button was pressed, permitting for customers to higher determine capabilities if working in close to darkish circumstances, and it is nice to see that the brand new Nikon Z9 additionally inherits this very helpful characteristic.
Taking the digicam out of its field and affixing one of many two lenses that got here with our evaluate pattern – an Z 24-120mm f/4 S and the Z 100-400mm f/4.5-5.6 VR S. – it is instantly obvious that it is a giant and never significantly discrete digicam setup.
Investigating the entrance of the digicam, the Nikon Z9 right here seems virtually an identical to the D6, with a well-recognized pentaprism SLR form and really strong building that signifies it is a workhorse of a DSLR capable of take a good bit of a hammering within the line of obligation.
Unsurprisingly given Nikon taking its widespread ‘if it ain’t broke do not repair it strategy’, the digicam’s fascia very carefully resembles the D6. It options a big and stiff lens launch button nestled on the precise.
Slightly below although is a model new AF mode button that allows you to select each the AF mode and AF space mode throughout viewfinder capturing, utilizing the entrance and rear command dials to toggle between the assorted choices.
Over on the opposite facet of the lens mount is a row of three operate buttons, the positioning of which implies that they fall beneath the fingers of the precise hand when gripping the digicam – although these could profit these with bigger palms as we discovered them a little bit of an uncomfortable stretch to achieve.
There are, nevertheless, a veritable plethora of customisable buttons on this digicam, so you possibly can just about configure it to have your favoured settings actually at your fingertips in the event you put the time in to set it as much as swimsuit you explicit means of working.
You would possibly utterly miss it as a result of it is turned off by default, however the Z9 has a built-in sensor defend that protects the digicam’s sensor when it’s turned off, very best for safeguarding it from fingerprints or while you’re altering lenses in dusty or soiled environments.
Shifting to the highest of the Z9, the left-hand-side seems just like the D6 and the right-hand-side extra carefully resembles the Z7 II.
On the highest left of the digicam is the place you possibly can change the capturing mode (P, A, S, M – unsurprisingly there is not any auto on supply right here), drive mode (Single, Steady Low, Steady Excessive, Timer, and a customisable Steady mode), bracketing mode, flash mode/compensation and launch mode.
What we personally and in addition instantly missed right here, in comparison with most professional and semi professional cameras, was a big, chunky tactile capturing mode wheel or dial to the left or proper of the viewfinder.
Even when the capturing mode might be quickly – and because it seems, pretty conveniently – accessed through a press of the Mode button on high of the digicam, similar to on the D6, we might nonetheless choose a extra conventional dial.
To the precise of the viewfinder we’ve the top-plate LCD. That is extraordinarily helpful for exhibiting you all the key settings at a look, comparable to aperture, shutter velocity, drive mode, ISO, remaining shot rely and battery life.
On the high of the entrance grip you’ll discover the digicam’s on/off change, which surrounds the shutter launch, together with a 3rd possibility for illuminating the buttons. Simply behind right here there are three devoted buttons, one for video recording, one for ISO and one for publicity compensation.
Lastly, simply above the rear thumb relaxation, you’ll discover a acquainted rear command dial, which can be utilized at the side of the dial on the entrance grip to manage the digicam’s key settings – relying on which capturing mode you’re in. In handbook mode, the default arrange is for the entrance dial to manage aperture, whereas the rear dial is used to regulate shutter velocity.
Now to maneuver to the again of the digicam, and once more, in the event you’ve used a Nikon Z collection digicam earlier than, or perhaps a Nikon DSLR, you’ll be very at dwelling right here. Should you haven’t, it’s pretty consumer pleasant, being a comparatively easy arrange.
To the left of the viewfinder are the shared Lock/Fn4 button and the delete button. By default the Fn4 button lets you set the Image Management, nevertheless it will also be reconfigured to Playback in the event you’d choose to precisely mirror the format of the D6.
On the viewfinder itself, there’s one other button for adjusting how the viewfinder works – whether or not you need it to robotically activate, change off the display screen, or not have the viewfinder on in any respect. On the alternative facet of the viewfinder you’ve acquired the diopter adjustment dial which you should use to align the viewfinder with your personal imaginative and prescient.
The remainder of the digicam’s buttons are all grouped collectively on the precise of the viewfinder / display screen setup. It begins with a show button which, unsurprisingly, you should use to regulate how the rear display screen show seems – together with switching on/off capturing info, a histogram and a stage.
You can too modify the viewfinder show by urgent the identical button whereas your eye is held as much as the viewfinder. Meaning that you may have completely different show choices relying on whether or not you’re utilizing the display screen or the viewfinder, in the event you like.
The Nikon Z9 departs from the blueprint of its DSLR-equivalent by providing a four-axis tilting monitor, whereas the LCD display screen on the D6 is of the fastened, non-tilting selection.
While not fairly as versatile as a completely articulating, vari-angle LCD display screen, the Z9’s display screen works very effectively for each portrait or landscape-orientation capturing. You may tilt it upwards to face you in both mode, while nonetheless being centrally positioned which make it simpler to compose with than a display screen that flips out to the facet.
An angle adjustable LCD can be helpful if you are going to be capturing video in the principle, because it’s tough to be 100% sure you’ve got acquired focus spot on when utilizing a set display screen outdoor; inevitably glare and pure reflections typically get in the way in which.
On the flip facet, with two hinges concerned it’s fairly a fancy little bit of engineering that will within the long-term undergo from heavy use. Additionally, provided that that is the form of skilled instrument that shall be utilized in areas the place it may get knocked and elbowed by competing photographers, a set display screen is undoubtedly a clever choice, even when it makes video capturing with out some form of exterior monitor trickier than it may very well be.
Be aware that the Z9’s display screen can’t be usefully folded flat towards the again of the digicam to guard it when in transit in a digicam bag.
As talked about above, the LCD display screen is touch-sensitive, permitting you to manage every thing from setting the AF level and firing the shutter, navigating the menu methods and looking your pictures throughout playback. It is a very exact, responsive system that is a veritable pleasure to make use of.
A proximity sensor is positioned straight above the viewfinder, which robotically switches between the EVF and LCD display screen. When the LCD display screen is swung outwards, the EVF is cleverly turned off robotically.
Across the Show button is a change when you should use to maneuver between video mode and stills mode. This change is pretty stiff, so it appears moderately unlikely you’d do that by chance – however in the event you do, it needs to be pretty apparent that you just’re within the fallacious mode.
To the precise of the Show button is the AF-On button. You may set this up for back-button focusing in the event you choose to work in that means, which is able to imply that in the event you press the shutter launch, it received’t try and refocus once more – helpful for focusing and recomposing.
Simply beneath the AF-On button is a joystick. You need to use this to maneuver the AF level across the body, in the event you don’t need to use the touchscreen.
Not like another fashions in the marketplace, you possibly can’t use the viewfinder and touchscreen on the similar time – so it’s very doubtless you’ll be utilizing the joystick to make fast AF level adjustments.
The joystick will also be used to maneuver round both the principle menu or the short menu, however you’ll first must allow this feature within the customized management settings part of the menu.
The short menu itself might be accessed by urgent the “I” button simply beneath the joystick. By doing so, you’ll offered with a gaggle of generally used settings, comparable to Image Management, High quality, Drive Mode, AF-Space Mode, White Steadiness and extra. You may navigate across the menu utilizing both the joystick (if arrange) or through the navigational pad simply beneath the stick.
As soon as on the right setting, press OK after which you should use the scrolling dials to decide on between the assorted choices. If there are any settings on this fast menu you discover you don’t use fairly often, you possibly can take them out and substitute them with different settings which maybe you employ extra regularly.
The 4 means navigational pad, with an OK button within the center, can be utilized to maneuver the AF level across the display screen (in the event you don’t need to use the joystick/touchscreen), navigate the menus, to toggle the knowledge show on pictures in playback, and to flick through mentioned pictures. The OK button can be utilized for menu choice, however in capturing mode, you may as well use it to reset the AF level to the centre of the display screen.
Simply beneath the navipad is a duo of buttons which can be utilized to zoom out and in of the scene you’re photographing – significantly helpful for checking vital focus, particularly in the event you’re utilizing handbook focus. You can too use the buttons when viewing pictures in playback to zoom out and in, as an alternative choice to utilizing the touchscreen to pinch out and in of the body.
To the precise of the zoom out button, there’s the relocated Playback button. The Menu button is discovered above that, and it’ll take you into the digicam’s important menu.
That is the place it’s best to head when it’s worthwhile to make extra advanced settings than the short menu will show you with. The menu itself is split into quite a lot of classes, that are pretty self-explanatory and straightforward to navigate round.
There are Photograph Taking pictures, Video Recording, Customized Settings, Playback, Setup and Community menus. Handily, there’s additionally a “My Menu” tab which is the place it can save you any settings which you’re regularly utilizing so you possibly can rapidly get to them everytime you want them, reasonably than scrolling by means of the assorted pages of the menu.
Instantly beneath the rear LCD display screen is a row of three buttons for setting the microphone sensitivity, setting the nonetheless picture high quality, and setting the white steadiness, both facet of which is an LED to point a LAN connection and a Mic port.
Reflecting the truth that it is a twin grip digicam, 4 controls are replicated on the bottom-right of the rear of the digicam to be used in a vertical orientation – the joystick, AF-On button, Data button and a 3rd command dial.
Becoming a member of them are an additional shutter button encircled by a Lock change, an ISO button and an unmarked button which by default units publicity compensation, together with a fourth command dial.
The Nikon Z9 does not inherit the D6’s second smaller LCD panel instantly beneath the principle rear display screen. It is a disgrace, however eminently comprehensible given the smaller dimensions of the Z9 in comparison with its even larger brother.
You’ll discover many of the digicam’s ports on the left hand facet of the digicam, which incorporates an Ethernet port, a headphone and microphone jack, a full-size HDMI port, a flash sync port, a distant management port and a USB-C port which you should use for charging the digicam in-body, in the event you don’t need to use an exterior battery charger.
The Z9 presents the flexibility to cost the digicam through its USB-C port whereas it’s recording stills/video, which is probably most helpful for videographers who is perhaps operating low on energy whereas recording.
On the alternative facet of the digicam is the place you’ll discover the twin Cfexpress card slots housed beneath a lockable cowl. You may arrange the cardboard slots to work in whichever means you’re feeling is greatest – whether or not that’s an easy backup/copy of the primary card slot, an overflow to provide you extra space, or to have one card document one kind of media (comparable to uncooked information) and the opposite to document one other (comparable to nonetheless information or video).
So now that we have taken an in-depth take a look at the options and dealing with, what about picture high quality? Do the photographs stay as much as what we might hope for and certainly anticipate from a £$5K+ digicam physique? Keep on studying our Picture High quality part to search out out.
Picture High quality
All the pattern pictures on this evaluate had been taken utilizing the 45.7 megapixel Fantastic* JPEG setting, which produces a mean picture measurement of round 12Mb.
The Z9’s 45.7 megapixel sensor, as we’d anticipate, is able to resolving extraordinarily nice element which seems beautiful on display screen, even when zooming in at 100%. Having such a excessive decision to play with additionally means you possibly can crop into the scene after the very fact and nonetheless hold a excessive decision file.
Colors straight from the digicam are excellent, being reasonable whereas additionally containing diploma of vibrancy. Should you shoot in uncooked format, you’ll discover that the information are very malleable, permitting you to extract numerous element and make adjustments as you would like, with the brand new Excessive Effectivity Uncooked format conserving file sizes beneath management with out a noticeable drop in high quality.
Utilizing the all-purpose metering mode usually ends in well-balanced exposures with out the necessity to change to spot-metering for many topics. Equally, the automated white steadiness settings do job of conserving colors wanting reasonable.
With such a excessive decision sensor, the Nikon Z9 has the potential to undergo in low gentle, nevertheless it nonetheless produces very usable pictures at excessive ISOs. For sharing at small(ish) sizes, the very best we’d in all probability advocate is ISO 25600, with ISO 51200 being simply that bit too smudgy to advocate until determined.
Noise
The bottom sensitivity of the Nikon Z9 is ISO 64 however you possibly can go all the way down to ISO 32 (L1.0) if you want. On the different finish of the size, the very best native sensitivity of the Z9 is ISO 25600, however two boosted settings, ISO 51200 and ISO 102400, are additionally obtainable. Listed below are some 100% crops which present the noise ranges for every ISO setting, with JPEG on the left and RAW on the precise.
JPEG | RAW |
ISO 32 (100% Crop) |
ISO 32 (100% Crop) |
ISO 64 (100% Crop) |
ISO 64 (100% Crop) |
ISO 100 (100% Crop) |
ISO 100 (100% Crop) |
ISO 200 (100% Crop) |
ISO 200 (100% Crop) |
ISO 400 (100% Crop) |
ISO 400 (100% Crop) |
ISO 800 (100% Crop) |
ISO 800 (100% Crop) |
ISO 1600 (100% Crop) |
ISO 1600 (100% Crop) |
ISO 3200 (100% Crop) |
ISO 3200 (100% Crop) |
ISO 6400 (100% Crop) |
ISO 6400 (100% Crop) |
ISO 12800 (100% Crop) |
ISO 12800 (100% Crop) |
ISO 25600 (100% Crop) |
ISO 25600 (100% Crop) |
ISO 51200 (100% Crop) |
ISO 51200 (100% Crop) |
ISO 102400 (100% Crop) |
ISO 102400 (100% Crop) |
File High quality
The Nikon Z9 has two completely different file choices – Uncooked and JPEG – with three compression choices obtainable for Uncooked and 6 for JPEG. Listed below are some 100% crops which present the variations between all of them, with the complete picture measurement proven in brackets.
Night time
The Nikon Z9’s most shutter velocity is 900 seconds within the Guide capturing mode and there is a Bulb mode for even longer exposures, which is good news in the event you’re critically fascinated with low gentle pictures.
Energetic D-lighting (ADL)
D-lighting is Nikon’s dynamic vary optimisation instrument that makes an attempt to squeeze the complete dynamic vary of the sensor into JPEGs. Energetic D-lighting works “on the fly”, earlier than the in-camera processing engine converts the uncooked picture information into JPEGs. The obtainable settings are Off, Low, Regular, Excessive, Additional Excessive 1 and Additional Excessive 2, plus an Auto mode.
Off
Low
Regular
Excessive
Additional Excessive 1
Additional Excessive 2
HDR
The Nikon Z9’s HDR Mode captures three completely different exposures and combines them into one, retaining extra shadow and spotlight element, with an Auto mode, and 4 completely different strengths.
Off
Low
Regular
Excessive
Additional Excessive
Image Controls
Nikon’s Image Controls are preset mixtures of sharpening, distinction, brightness, saturation and hue. All 28 completely different Image Controls might be tweaked to your liking, then saved and transferred to different cameras.
Auto
Commonplace
Impartial
Vivid
Monochrome
Portrait
Panorama
Flat
Dream
Morning
Pop
Sunday
Somber
Dramatic
Silence
Bleached
Melancholic
Pure
Denim
Toy
Sepia
Blue
Crimson
Pink
Charcoal
Graphite
Binary
Carbon
Crop Modes
The Nikon Z7 II is an FX digicam however it could possibly additionally shoot in one among three crop modes, together with a 19.4-megapixel DX crop mode, a 38.3 megapixel 16:9 mode, and a 30.3-megapixel 1:1 sq. mode.
The boundaries of the cropped areas are denoted with skinny black traces within the viewfinder, which in any other case continues to indicate the complete FX view, permitting you to see what’s occurring exterior the cropped body – excellent for sports activities and motion capturing.
FX
DX
16×9
1×1
A number of Publicity
The Nikon Z9’s a number of publicity mode lets you take between two and ten pictures and merge them right into a single picture in-camera.
Pattern Photographs
It is a collection of pattern pictures from the Nikon Z9 digicam, which had been all taken utilizing the 45.7 megapixel Fantastic* JPEG setting. The thumbnails under hyperlink to the full-sized variations, which haven’t been altered in any means.
Pattern RAW Photographs
The Nikon Z9 permits customers to seize RAW and JPEG format information. We have supplied some Nikon RAW (NEF) samples so that you can obtain (thumbnail pictures proven under will not be 100% consultant).”
Pattern Films & Video
It is a pattern 8K/30p film on the high quality setting of 7680 × 4320 pixels at 30 frames per second. Please observe that this 15 second film is 746Mb in measurement.
It is a pattern 8K/25p film on the high quality setting of 7680 × 4320 pixels at 25 frames per second. Please observe that this 15 second film is 752Mb in measurement.
It is a pattern 8K/24p film on the high quality setting of 7680 × 4320 pixels at 24 frames per second. Please observe that this 16 second film is 751Mb in measurement.
It is a pattern 4K/120p film on the high quality setting of 3840 × 2160 pixels at 120 frames per second. Please observe that this 15 second film is 756Mb in measurement.
It is a pattern 4K/60p film on the high quality setting of 3840 × 2160 pixels at 60 frames per second. Please observe that this 15 second film is 632Mb in measurement.
It is a pattern 4K/30p film on the high quality setting of 3840 × 2160 pixels at 30 frames per second. Please observe that this 16 second film is 376Mb in measurement.
It is a pattern 1080/120p film on the high quality setting of 1920 × 1080 pixels at 120 frames per second. Please observe that this 15 second film is 362Mb in measurement.
Product Photographs
Conclusion
Because the non secular mirrorless successor to the D6 DSLR, the brand new Z9 surpasses its sibling to turn into the very best digicam that Nikon have ever produced, no matter what expertise lies inside it.
Immediately acquainted to anybody who’s used both a higher-end D-series DSLR or Z-series mirrorless mannequin, the Z9 seems like a Nikon on steroids, providing the easiest applied sciences, dealing with and efficiency that the corporate presently has to supply.
It combines the dual-grip design of the D6 collection with the management format of the Z7 II to create a really outstanding digicam for skilled sports activities, wildlife, information and panorama photographers and videographers alike.
The Z9 joins the Sony Alpha 1 as one among solely two skilled cameras to supply each excessive decision and mind-blowing velocity, to not point out 8K video. Whereas the EOS R3 can match their 30fps burst speeds and the EOS R5 their decision and 8K video, Canon have not but launched a single digicam that covers all three bases, at the very least till the launch of the EOS R1.
Whereas the Z9 cannot match the Alpha 1 and EOS R3 by capturing Uncooked information at 30fps, solely JPEGs, the truth that it could possibly shoot Uncooked at 20fps for over 1000 frames in a single burst earlier than the digicam slows down is a reasonably unimaginable trick to drag off.
Equally, the Z9’s digital viewfinder appears to lag considerably behind its two important rivals, at the very least on paper, however the modest 3690k-dot decision and 60fps refresh price fortunately do not robotically translate right into a sub-par expertise – fairly the alternative in truth.
With Nikon searching for to tempt D5 and D6 homeowners over to the mirrorless world, the viewfinder expertise is of paramount significance, and we’re glad to say that OVF-fans needs to be more than pleased with utilizing the Z9’s EVF.
Particularly because the Z9 sweetens the mirrorless deal significantly in a number of necessary methods, most notably the superb hybrid picture stabilisation value as much as 6-stops, the a lot quicker headline-grabbing 30fps burst capturing, and the utterly silent digital shutter, all housed in a smaller, lighter but nonetheless equally weather-proof and sturdy physique that is simpler to make use of for prolonged intervals of time.
With superlative low-light AF sensitivity that stretches all the way in which all the way down to -8.5EV, an intensive vary of AI subject-detection and monitoring modes, and Nikon’s acquainted 3D monitoring mode, it is clear that the Z9 is the very best auto-focusing digicam that the corporate has ever produced.
Lengthy revered as the head of Nikon’s technological prowess, the D6 DSLR has now been surpassed by the Nikon Z9 as the corporate’s go-to digicam for nearly something that strikes rapidly – folks, animals, birds, automobiles – you identify it and this digicam can intuitively and virtually immediately seize it with absolutely the minimal of fuss.
What do not we like in regards to the Nikon Z9? Properly, the built-in twin grip design definitely is not for everybody – at simply over 1kg in weight it stays a digicam for the skilled consumer reasonably than fanatic, though we guess that lots of the latter would get pleasure from utilizing the Z9, significantly in the event that they routinely match a battery grip to their present digicam.
The brand new Synchro VR mode presently solely works with three lenses, and the Z9’s lack of mechanical shutter implies that it could possibly’t fairly match the D6’s 1/250th flash sync velocity, though it comes surprisingly shut. And that is about it!
When Sony launched the all-conquering Alpha 1 in early 2021, many predicted the approaching demise of Nikon, or on the very least a reshuffling of the digicam producer pack, however the brand new Z9 proves past doubt that Nikon are again on the high of their recreation.
Nikon have additionally shocked many by not solely releasing such a succesful digicam, however giving it a price-tag that is a lot lower than its important rivals – round £$1000 lower than the Sony A1 in the event you added a battery pack to match the Z9’s kind issue, and round £$500 much less then the lower-resolution EOS R3.
General, Nikon have hit the proverbial ball out of the park with the brand new Z9 in just about each respect, simply incomes it our coveted Important! award.
Rankings (out of 5) | |
---|---|
Design | 4.5 |
Options | 5 |
Ease-of-use | 4.5 |
Picture high quality | 5 |
Worth for cash | 5 |
Major Rivals
Listed under are a number of the rivals of the Nikon Z9.
The Canon EOS R3 is knowledgeable full-frame mirrorless digicam for sports activities and motion photographers that encompasses a 24 megapixel stacked BSI sensor, 6K/60p Uncooked and 4K/120p video recording, 30fps burst capturing, eye-control autofocusing and a dual-grip design. Learn our in-depth Canon R3 evaluate full with full-size pattern photographs and movies to search out out simply what the all-action R3 is able to…
The Nikon Z7 II full-frame mirrorless digicam is the 2020 replace of the unique Z7 mannequin, principally bettering the autofocusing, buffer and video and including a second reminiscence card slot. Are these adjustments sufficient for it to compete with its important rivals just like the Sony A7R IV and the Canon EOS R5? Discover out now by studying our in-depth Nikon Z7 II evaluate, full with full measurement pattern photographs and movies…
The Sony Alpha 1 digicam, or Sony A1 for brief, is the very best digicam that Sony have ever launched, and presently the very best all-round digicam in the marketplace. It is also probably the most costly, so learn our in-depth Sony A1 evaluate full with full-size pattern JPEG and Uncooked photographs and films to search out out if it is really the One for you…
Should you’re knowledgeable sports activities photographer or photojournalist, there have historically solely been two digicam collection value contemplating, with the newest examples being the Canon EOS 1D X II and the Nikon D5. Two years in the past Sony launched the Alpha A9, which was particularly designed to tackle these two cameras, and now they’re again, simply in time for the Olympics, with the improved A9 II. Learn our evaluate to search out out precisely what the brand new Sony Alpha A9 Mark II presents…
Evaluation Roundup
Evaluations of the Nikon Z9 from across the internet.
The Nikon Z 9 is Nikon’s flagship skilled full-frame mirrorless digicam. It’s able to capturing 45.7MP pictures at 20 frames per second in uncooked, or 30fps in JPEG, with steady autofocus monitoring. A brand new AI topic detection AF system is able to recognising a number of sorts of topics, and the digicam may document 8K video. Boasting skilled construct high quality and management, the Nikon Z 9 prices £5,299 body-only.
Learn the complete evaluate »
Specs
Kind |
Mirrorless |
---|---|
Lens mount |
Nikon Z mount |
Picture sensor |
FX, CMOS, 35.9 mm x 23.9 mm |
Whole pixels |
52.37 million |
Mud-reduction system |
Picture sensor cleansing, Picture Mud Off reference information (requires NX Studio) |
Efficient pixels |
45.7 million |
Picture measurement (pixels) |
[FX (36 x 24)] chosen for picture space: (L) 8256 x 5504 (45.4 million), (M) 6192 x 4128 (25.6 million), (S) 4128 x 2752 (11.4 million), [DX (24 x 16)] chosen for picture space: (L) 5392 x 3592 (19.4 million), (M) 4032 x 2688 (10.8 million), (S) 2688 x 1792 (4.8 million), [1:1 (24 x 24)] chosen for picture space: (L) 5504 x 5504 (30.3 million), (M) 4128 x 4128 (17.0 million), (S) 2752 x 2752 (7.6 million), [16:9 (36 x 20)] chosen for picture space: (L) 8256 x 4640 (38.3 million), (M) 6192 x 3480 (21.5 million), (S) 4128 x 2320 (9.6 million) |
Storage file codecs |
NEF (RAW): 14 bit; select from lossless compression, excessive effectivity (excessive), and excessive effectivity choices, JPEG: JPEG-Baseline compliant with nice (approx. 1:4), regular (approx. 1:8), or fundamental (approx. 1:16) compression; size-priority and optimal-quality compression obtainable, NEF (RAW)+JPEG: Single {photograph} recorded in each NEF (RAW) and JPEG codecs |
Image Management System |
Auto, Commonplace, Impartial, Vivid, Monochrome, Portrait, Panorama, Flat, Artistic Image Controls (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Crimson, Pink, Charcoal, Graphite, Binary, Carbon); chosen Image Management might be modified; storage for customized Image Controls |
Storage media |
CFexpress XQD |
Twin card slot |
2 CFexpress playing cards or XQD playing cards, The cardboard in Slot 2 can be utilized for overflow or backup storage, for separate storage of NEF (RAW) and JPEG photos, or for storage of duplicate JPEG photos at completely different sizes and picture qualities; photos might be copied between playing cards. |
File system |
DCF 2.0, Exif 2.32 |
Viewfinder |
1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED digital viewfinder with coloration steadiness and auto and 16-level handbook brightness controls |
Body protection |
Approx. 100% horizontal and 100% vertical |
Magnification |
Approx. 0.8x (50 mm lens at infinity, -1.0 m-¹) |
Eyepoint |
23 mm (-1.0 m-¹; from rearmost floor of viewfinder eyepiece lens) |
Diopter adjustment |
-4 – +3 m-¹ |
Eye sensor |
Routinely switches between monitor and viewfinder shows |
Suitable lenses |
Z mount NIKKOR lenses F mount NIKKOR lenses (mount adapter required; restrictions could apply) |
Shutter kind |
Digital shutter with shutter sound and sensor defend |
Shutter velocity |
1/32000 to 30 s (select from step sizes of 1/3, 1/2, and 1 EV, extendable to 900 s in mode M), bulb, time |
Flash sync velocity |
Flash synchronizes with shutter at speeds of 1/250 or 1/200 s or slower (however observe that the information quantity drops at speeds of 1/200 to 1/250 s); sync speeds as quick as 1/8000 s are supported with auto FP high-speed sync *Relying on the shutter velocity, horizontal traces could seem in photos when utilizing auto FP high-speed sync. |
Launch mode |
S (single body), CL (steady low-speed), CH (steady high-speed), Excessive-speed body seize, Self-timer |
Body advance rate12 |
As much as 120 fps, Steady low-speed: Approx. 1 to 10 fps, Steady high-speed: Approx. 10 to twenty fps, Excessive-speed body seize (C30): Approx. 30 fps, Excessive-speed body seize (C120): Approx. 120 fps |
Self-timer |
2 s, 5 s, 10 s, 20 s; 1 to 9 exposures at intervals of 0.5, 1, 2, or 3 s |
Publicity metering |
TTL metering utilizing digicam picture sensor |
Metering technique |
Matrix metering, Middle-weighted metering: Weight of 75% given to 12 or 8 mm circle in middle of body or weighting might be based mostly on common of complete body, Spot metering: Meters circle with a diameter of roughly 4mm centered on chosen focus level, Spotlight-weighted metering |
Metering range13 |
-3 to +17 EV |
Mode |
P: programmed auto with versatile program, S: shutter-priority auto, A: aperture-priority auto, M: handbook |
Publicity compensation |
-5 to +5 EV (select from step sizes of 1/3 and 1/2 EV) |
Publicity lock |
Luminosity locked at detected worth |
ISO sensitivity |
ISO 64 to 25600, in steps of 1/3 and 1EV, will also be set to approx. 0.3, 0.7, or 1 EV (ISO 32 equal) under ISO 64 or to approx. 0.3, 0.7, 1, or 2 EV (ISO 102400 equal) above ISO 25600; auto ISO sensitivity management obtainable (Really helpful Publicity Index) |
Energetic D-Lighting |
Auto, Additional excessive 2, Additional excessive 1, Excessive, Regular, Low, and Off |
A number of publicity |
Add, common, lighten, darken |
Different choices |
HDR overlay, picture mode flicker discount |
Autofocus |
Hybrid phase-detection/distinction AF with AF help |
Detection range14 |
-6.5 to +19 EV (-8.5 to +19 EV with starlight view) |
Lens servo |
Single-servo AF (AF-S), Steady-servo AF (AF-C), full-time AF (AF-F; obtainable solely in video mode); predictive focus monitoring, Guide focus (M): Digital rangefinder can be utilized |
Focus points15 |
493 |
AF-area mode |
Pinpoint (obtainable in picture mode solely), single-point, dynamic-area (S, M, and L; obtainable in picture mode solely), wide-area (S and L), and auto-area AF, 3D-tracking (obtainable in picture mode solely), subject-tracking AF (obtainable in video mode solely) |
Focus lock |
Focus might be locked by urgent shutter-release button midway (single-servo AF/AF-S) or by urgent the middle of the sub-selector |
Digicam VR |
5-axis picture sensor shift |
Lens VR |
Lens shift (obtainable with VR lenses) |
Flash management |
TTL: i-TTL flash management; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, normal i-TTL fill-flash with spot metering |
Flash modes |
Entrance-curtain sync, gradual sync, rear-curtain sync, red-eye discount, red-eye discount with gradual sync, off |
Flash compensation |
-3 to +1 EV in steps of 1/3 or 1/2 EV |
Flash-ready indicator |
Lights when non-compulsory flash unit is absolutely charged; flashes as underexposure warning after flash is fired at full output |
Accent shoe |
ISO 518 hot-shoe with sync and information contacts and security lock |
Nikon Artistic Lighting System |
i-TTL flash management, radio-controlled Superior Wi-fi Lighting, optical Superior Wi-fi Lighting, modeling illumination, FV lock, Coloration Info Communication, auto FP high-speed sync, unified flash management |
Sync terminal |
ISO 519 sync terminal with locking thread |
White steadiness |
Auto (3 varieties), pure gentle auto, direct daylight, cloudy, shade, incandescent, fluorescent (3 varieties), flash, select coloration temperature (2500 to 10,000 Ok), preset handbook (as much as 6 values might be saved), all with fine-tuning |
Bracketing varieties |
Publicity and/or flash, white steadiness, ADL |
Film – metering |
TTL publicity metering utilizing important picture sensor, TTL metering utilizing digicam picture sensor |
Film – metering technique |
Matrix, center-weighted, or highlight-weighted |
Film – body measurement (pixels) and body rate16 |
7680 x 4320 (8K UHD): 30p (progressive)/25p/24p, 3840 x 2160 (4K UHD): 120p/100p/60p/50p/30p/25p/24p, 1920 x 1080: 120p/100p/60p/50p/30p/25p/24p |
Film – file format |
MOV, MP4 |
Film – video compression |
Apple ProRes 422 HQ (10 bit), H.265/HEVC (8 bit/10 bit), H.264/AVC (8 bit) |
Film – audio recording format |
Linear PCM (for movies recorded in MOV format), AAC (for movies recorded in MP4 format) |
Film – audio recording machine |
Constructed-in stereo or exterior microphone with attenuator possibility; sensitivity adjustable |
Film – publicity compensation |
-3 to +3 EV (select from step sizes of 1/3 and 1/2 EV) |
Film – ISO sensitivity |
Mode M: Guide choice (ISO 64 to 25600; select from step sizes of 1/3 and 1 EV); with further choices obtainable equal to roughly 0.3, 0.7, 1, or 2 EV (ISO 102400 equal) above ISO 25600; auto ISO sensitivity management (ISO 64 to Hello 2.0) obtainable with selectable higher restrict, Modes P, S, A: Auto ISO sensitivity management (ISO 64 to Hello 2.0) with selectable higher restrict (Really helpful Publicity Index) |
Film – Energetic D-Lighting |
Additional excessive, Excessive, Regular, Low, and Off |
Film – Different choices |
Time-lapse video recording, digital vibration discount, time codes, N-Log and HDR (HLG) video |
Monitor |
8-cm (3.2–in.) diagonal; vertically and horizontally tilting TFT touch-sensitive LCD with 170° viewing angle, roughly 100% body protection, and coloration steadiness and 11-level handbook brightness controls; Approx. 2100k-dot |
Playback |
Full-frame and thumbnail (as much as 4, 9, or 72 photos) playback with playback zoom, playback zoom cropping, video playback, histogram show, highlights, picture info, location information show, auto image rotation, image ranking, voice memo enter and playback, and IPTC info embedding and show |
USB |
Kind C USB connector (SuperSpeed USB); connection to built-in USB port is advisable |
HDMI output |
Kind A HDMI connector |
Audio enter |
Stereo mini-pin jack (3.5 mm diameter; plug-in energy supported) |
Audio output |
Stereo mini-pin jack (3.5 mm diameter) |
Ten-pin distant terminal |
Constructed-in (can be utilized with MC-30A/MC-36A distant cords and different non-compulsory equipment) |
Ethernet |
RJ-45 connector Requirements: IEEE 802.3ab (1000BASE-T), IEEE 802.3u (100BASE-TX), IEEE 802.3 (10BASE-T) Knowledge charges17: 1000/100/10 Mbps with auto detect, Port: 1000BASE-T/100BASE-TX/10BASE-T (AUTO-MDIX) |
Wi-Fi (Wi-fi LAN) requirements |
IEEE 802.11b/g/n/a/ac |
Wi-Fi (Wi-fi LAN) working frequency |
2412 to 2462 MHz (channel 11) and 5180 to 5320 MHz |
Wi-Fi (Wi-fi LAN) most output energy |
2.4 GHz band: 8.4 dBm 5 GHz band: 9.0 dBm |
Wi-Fi (Wi-fi LAN) safety |
Open system, WPA2-PSK, WPA3-SAE |
Bluetooth requirements |
Bluetooth Specification model 5.0, Bluetooth: 2402 to 2480 MHz, Bluetooth Low Power: 2402 to 2480 MHz, Bluetooth: 2.9 dBm, Bluetooth Low Power: 1.4 dBm, Vary (line of sight): roughly 10 m (32 ft)18 |
Supported GNS methods |
GPS (USA), GLONASS (Russia), QZSS (Japan) |
Knowledge acquired |
Latitude, longitude, altitude, UTC (Common Coordinated Time) |
Clock synchronization |
Digicam clock might be set to time acquired through GNSS |
Monitor logs |
NMEA-compliant |
Log interval |
15 s, 30 s, 1 min., 2 min., 5 min. |
Most log recording time |
6, 12, or 24 hours |
Log deletion |
Supported |
Battery |
One EN-EL18d rechargeable Li-ion battery, EN-EL18c, EN-EL18b, EN-EL18a, and EN-EL18 batteries will also be used. Be aware, nevertheless, that fewer photos might be taken on a single cost than with the EN-EL18d. The EH-7P charging AC adapter can be utilized to cost EN-EL18d, EN-EL18c, and EN-EL18b batteries solely. |
AC adapter |
EH-7P charging AC adapter; EH-6d; requires EP-6a energy connector (obtainable individually) |
Tripod socket |
0.635 cm (1/4 in., ISO 1222) |
Dimensions (W x H x D) |
Approx. 149 x 149.5 x 90.5 mm (5.9 x 5.9 x 3.6 in.) |
Weight |
Approx. 1340 g (2 lb. 15.3 oz.), with battery and reminiscence card however with out physique cap and accent shoe cowl; approx. 1160 g/2 lb. 9 oz. (digicam physique solely) |
Working atmosphere – temperature |
-10 °C to 40 °C (+14 °F to 104 °F) |
Working atmosphere – humidity |
85% or much less (no condensation) |
Provided equipment |
BF-N1 Physique Cap, EN-EL18d Rechargeable Li-ion Battery with Terminal Cowl, MH-33 Battery Charger, EH-7P Charging AC Adapter (equipped with a plug adapter hooked up in nations or areas the place required; form depends upon nation of sale), HDMI/USB Cable Clip, AN-DC24 Strap, UC-E24 USB Cable, BS-1 Accent Shoe Cowl (comes hooked up to digicam) |
¹ You may shoot at C120 (120 fps, 11 MP, JPEG regular/small) in FX format solely. You may shoot at C30 (30 fps, 45MP, JPEG regular/giant) and at 20 fps (RAW and JPEG) in FX or DX format. Full AF/AE monitoring is obtainable for all body charges and file sizes.
² 1000 full-resolution pictures at 20 fps (RAW and JPEG) in FX or DX format in a single burst might be achieved when utilizing ProGrade Digital Cobalt CFexpress playing cards (as per October 2021).
³ Amongst full-frame mirrorless cameras as of October 2021. Based mostly on Nikon analysis.
⁴ Working remotely with a single Z 9 tethered to a smartphone requires use of Nikon’s NX MobileAir software program utility. Working remotely with a number of cameras through a tethered 4G/5G community requires use of the NX Area software program utility.
⁵ The Z 9 can document 8K/30p video for as much as 125 minutes at a time.
⁶ A firmware replace (obtainable spring 2022) is required to allow in-camera 8K/60p video recording.
⁷ Recording in N-RAW is barely doable following a firmware replace (obtainable spring 2022).
⁸ Recording in ProRes RAW HQ is barely doable following a firmware replace (obtainable spring 2022).
⁹ 4K UHD video oversampled from 8K is feasible when recording in 30p/25p/24p. A firmware replace (obtainable spring 2022) is required to oversample from 8K when recording in 50p/60p footage.
¹⁰ 8K nonetheless frames are saved as JPEG information on the [frame size/frame rate] dimensions chosen within the video recording menu when the video was recorded.
¹¹ Based mostly on CIPA requirements.
¹² Most body advance price as measured by in-house checks.
¹³ Figures are for ISO 100 and f/2.0 lens at 20 °C/68 °F.
¹⁴ Measured in picture mode at ISO 100 and a temperature of 20 °C/68 °F utilizing single-servo AF (AF-S) and a lens with a most aperture of f/1.2.
¹⁵ Variety of focus factors obtainable in picture mode with single-point AF chosen for AF-area mode and FX chosen for picture space.
¹⁶ Precise body charges for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively.
¹⁷ Most logical information charges based on IEEE normal; precise charges could differ.
¹⁸ With out interference. Vary could differ with sign power and presence or absence of obstacles.
Information
The Nikon Z9 has simply been unveiled, a brand new flagship 35mm full-frame mirrorless digicam that can sit above the Z7 II and Z6 II in Nikon’s Z-series vary.
Replace October twenty seventh 2021: Nikon Europe have simply launched the fourth and ultimate Nikon Z9 teaser video, forward of the ultimate announcement on October twenty eighth.
The primary and second teaser movies showcase the Z9’s 8K DCI (8192 x 4320) capabilities, together with the thrilling incontrovertible fact that it could possibly document that 8K DCI video for at the very least 1 hour and 20 minutes with no over-heating (and presumably even longer than that).
The movies additionally appear to indicate off the upcoming Nikkor Z 100-400mm S, probably the most hotly anticipated lenses on Nikon’s lens roadmap.
The third teaser confirms that the Z9 could have an Eye AF mode and a Motorsports AF mode for each two and 4 wheeled automobiles, capturing at a burst price of round 20fps.
The fourth teaser video showcases the Z9’s digital viewfinder, which appears to be utterly blackout free while operating at 120fps. The brand new Nikkor Z 100-400mm S lens additionally makes one other, extra outstanding look.
The skilled stage Z9 will characteristic the Z-mount and have a newly developed FX-format stacked CMOS sensor and a brand new image-processing engine, though there is not any phrase but on both the variety of megapixels or the burst capturing charges that it’s going to supply.
It should additionally characteristic 8K video recording, the primary time that any Nikon digicam has finished so, which permits the Z9 to problem the likes of the Canon EOS R5 and the Sony Alpha 1, the one different mirrorless cameras that presently present 8K recording.
Using a stacked sensor design and inclusion of 8K video strongly means that the Z9 will use the identical sensor discovered within the Sony Alpha 1 (as Sony provides Nikon’s picture sensors).
In a design transfer that can doubtless cut up opinion, the Z9 encompasses a built-in vertical grip with an array of replicated controls, very like the Nikon D6 DSLR. It should due to this fact be considerably bigger than each the Z7 II and Z6 II, which share the identical measurement and management format and which as a substitute use an non-compulsory battery grip.
Certainly, from the entrance at the very least, the 2 cameras look fairly comparable, so the Z9 seems set to copy the D6 as the very best digicam that Nikon can presumably make, simply this time with out a mirror.
It’d even exceed the efficiency of the D6, as Nikon have publicly said that the Z9 will “ship the very best nonetheless and video efficiency in Nikon historical past” and that it presents an “unprecedented expertise when it comes to excellent efficiency and operability, and exceeds that of earlier digital-SLR and mirrorless cameras.” We won’t wait to attempt it out!
However wait we should, as though the Nikon Z9 is scheduled for launch in 2021, it is nonetheless presently in growth and the precise timing will solely be introduced at a later date – so in all probability greatest to anticipate mid-late 2021 then, possibly even in time for the Tokyo Olympics in July…
Specs
As is typical of growth bulletins, Nikon have been extremely tight-lipped about what the Z9 will truly be able to.
The brand new stacked sensor hints strongly at quick burst capturing, although, in all probability on a par with the insane 30fps speeds that the Sony A1 presents.
It should positively have 8K recording and, in Nikon’s personal phrases, “varied different video specs that fulfill numerous wants and workflows”, so anticipate a raft of various bit charges, codecs and profiles that can fulfill the wants of probably the most demanding cinematographers.
Because it presents 8K video, the sensor’s megapixel rely shall be in extra of 35.6million efficient pixels, as that is the minimal required for 8K.
Launch Date
Nikon have not formally set a launch date for the brand new Z9 but, however with the Tokyo Olympic Video games on the close to horizon, we might hope that this new flagship sports activities and video digicam would make its debut in time for professionals to seize all of the motion on the world’s premier sporting occasion.
Worth
The value of the Nikon Z9 has not but been revealed, however with the equal D6 DSLR digicam costing £6,300 / $6,500, the brand new Z9 mirrorless digicam will doubtless be priced on the similar stage, and even barely extra if it really does ship higher picture high quality and efficiency than the D6.
Additionally, the Sony Alpha 1 retails for round £6,500 / $6,500, so we would not be in any respect shocked if the Z9 was equally priced to one among its important rivals.
Picture Gallery
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